Repackage albums aren’t as common in K-pop as they used to be, but I’ve always liked them. They give artists a chance for an ultra-quick comeback and extend the promotional life of a project. CRAVITY’s Dare To Crave was already a very strong album with a killer title track, but now they’ve extended it with … Continue reading
There’s a large contingent of us (relatively) old K-pop fans who constantly reminisce about the industry’s “good old days.” I’m sure this is very annoying to younger fans who are immersed in K-pop’s present, and it’s natural for any music market to evolve as time goes on. But whatever era you determine to be your … Continue reading
For groups like TWS who debut with a bright, youthful concept, the need to “mature” their sound is always lurking just around the corner. I’ve seen it with pretty much every act I’ve loved over the past decade and the inevitable arc from cute young kids to grown, sexy adults can go two ways. Either … Continue reading
SHINee’s Key has a history of becoming a K-pop savior on this blog, breaking long streaks of “7” and “8” rated songs with music that pushes bolder and further. That certainly occurred in early 2023 with his single Killer, but his follow-ups have been less adventurous. Both Good & Great and Pleasure Shop found him … Continue reading
Ryugujo are a young group at a crossroads. They’ve been a favorite of mine since forming on the excellent Year 0, Class 0 series and went on to develop a unique and compelling discography. Through it all, mentor and producer Avu-chan oversaw everything. But after the shock announcement that Avu-chan would be stepping down as … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. At this point, it seems as … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I like Super Junior’s new single … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. It’s been awhile since I’ve featured … Continue reading
It’s been a year of changes for fromis_9. Not only did their contract expire with Pledis Entertainment but the group went through a reconfiguration upon signing with new label Asnd, reduced from nine to five members. “fromis_5” doesn’t have the same ring to it, so the girls have retained their name as a nod to … Continue reading
There are a handful of ultra-popular Japanese artists whose music I’ve just never connected with. Up until Hachikō, Fujii Kaze was one of those artists. I’ve enjoyed a song here and there, but never to the point where I stopped in my tracks to realize how awesome he could be as an artist. Hachikō is … Continue reading
With over 5,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Indie K-pop artists are a dime a dozen, but the vast majority make music that sounds indie. Small ambition, subdued energy, etc. You know… coffeehouse vibes. Every once and awhile someone comes along with a bigger vision — often emerging from unexpected places. That’s happened here with Fairy Mai, once part of girl group eite … Continue reading
RIIZE’s new album has a very strong visual element, with music videos or shortened “track videos” for each song. Because of this (and because the album is so strong), I’ll be working through the entire track list over the next few days. Make sure to check back often! 1. Odyssey // 2. Bag Bad Back … Continue reading
RIIZE’s new album has a very strong visual element, with music videos or shortened “track videos” for each song. Because of this (and because the album is so strong), I’ll be working through the entire track list over the next few days. Make sure to check back often! 1. Odyssey // 2. Bag Bad Back … Continue reading
With over 5,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. There’s a reason I still watch … Continue reading
It’s no secret that I’ve found the past few weeks of K-pop releases dull, uninspiring and – in some cases – outright bad. All the while, one name loomed at the edges of my mind. “TWS. TWS. TWS.” My top rookies of last year placed all seven of their promoted tracks in my top 50 … Continue reading
It’s been tricky being a Kis-My-Ft2 fan lately. I’ve long held them up as my favorite J-pop group and recently ran down their entire discography when it finally made its way to streaming (check the posts out here and here!), but I haven’t cared for any of their material in the past couple years. And … Continue reading
There’s this K-pop sub-genre lovingly referred to as “Christian horse girl music.” Think early efforts by GFriend, Lovelyz, Oh My Girl, April and the like. If you have time, do yourself a favor and go down the YouTube rabbit hole of this music, as it encompasses much of my favorite girl group output of the … Continue reading
The Boyz have pulled off a feat that once seemed impossible in K-pop: changing agencies with their entire roster, group name and music catalog intact. Now, they’re back with their first work under label One Hundred, presumably with greater creative control than ever. It’s interesting to learn what a group thinks their biggest strengths are, … Continue reading
The Bias List // K-Pop Reviews & Discussion 