At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Based on Wendy’s past solo work, … Continue reading
Red Velvet’s Wendy made her solo debut four years ago and most of her work has been some form of ballad (Wish You Hell notwithstanding). I’ve always been a proponent of big-voiced pop stars using that big voice over fast-paced, energetic material. There’s nothing better than power notes anchoring a banging dance track, and I’d … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
I don’t know why all these distinctly summer songs are releasing right before I have to go back to work for the new school year, but the timing is not to their advantage. Summer songs need weeks to brew and connect with all the great experiences listeners enjoy during the season. At any rate, Red … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2025 Overall Thoughts The other day, I commented on Twitter/X that K-pop was struggling to … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Red Velvet’s Irene and Seulgi made their unit debut all the way back in 2020, spawning two singles backed by high gloss fashion and plenty of charisma. Five years later, they’ve returned with a new mini album and the club-ready title track Tilt. Along with Seventeen’s Thunder, today seems to be the day for dance … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Rose is an interesting display of time travel. NCT’s Taeyong is still on hiatus as he fulfils his military service. This song was first unveiled in 2021 and the video premiered during an event last year. Now, it’s finally made its way online in time for Korea’s Rose Day. I don’t think we can call … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2025 Overall Thoughts While this year in K-pop has not wowed me yet (not even … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Today is the day of girl group members gone solo, as Red Velvet’s Seulgi joins ITZY’s Yeji with new material. Baby, Not Baby is her second official solo single, though she was recently a duet partner with K-pop legend Kim Wan Sun on the 80’s throwback Lucky. This time around, she’s gone for an edgier … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2025 Overall Thoughts It’s a new year! But it… kind of doesn’t feel like it … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Intergenerational K-pop collaborations are usually reserved for special events like year-end festivals. But sometimes, these team-ups make their way into a recording studio so we can enjoy the music for longer. Pop legend Kim Wan Sun pre-dates the idea of “K-pop generations,” known as the Korean Madonna even before Seo Taiji & Boys came around … Continue reading
The next few weeks on The Bias List will be stuffed with all manner of end-of-year countdowns. From K-pop to J-pop to global pop to dramas, it’ll all be covered. This is a fun way to tie a bow on the year and celebrate all the things I loved in 2024. These countdowns kick off … Continue reading
Ten years after her debut with Red Velvet, Irene has finally released her first solo album. Better late than never — especially as the group enters a phase of their career when solo work tends to be more common. Like A Flower is well-suited to this musical era, drawing upon trends to craft a catchy … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
The Bias List // K-Pop Reviews & Discussion 