After months of working through the exhaustive BOYS24 roll-out process, IN2IT debuted last fall with an incredibly generic, tropical house inspired single. It felt like a missed opportunity, but the newly released SnapShot rights the ship by balking the very trends its predecessor embraced. As a pure song, SnapShot is really nothing special. But, it … Continue reading
Generic, chorus-less EDM pop like Hyoyeon’s Sober is becoming the most difficult material for me to review. First of all, there are thousands of these songs out there. What else is there to say that I haven’t said over and over already? But more than that, it’s getting harder to feign interest in a song … Continue reading
Fandom culture springs up so quickly these days. Project group JBJ have only been active since last October, but in that short space of time they’ve amassed a following large enough to make their impending disbandment seem like a big deal. Call Your Name (부를게) acts as both their latest single and their swan song, … Continue reading
During the years of 2013 and 2014, VIXX delivered a string of hits that, taken together, represent one of modern k-pop’s strongest imperial phases. This isn’t to say that their post-2014 material is bad (Dynamite and Chained Up would certainly argue to the contrary), but over the past two years their sound has taken a … Continue reading
It’s been over a year since IMFACT’s last group release, the exuberant pop jolt of Tension Up. Since that time, main vocal Jeup made a splash on KBS’s The Unit survival series, nearly placing within the final nine contestants. It’s the perfect time to try to capitalize on that momentum, and new single The Light … Continue reading
Most of UNB’s members are well-known for skills in hip-hop and dance, so a ballad release could have been a disaster. A song like last week’s Sense (or “Feeling,” as it’s now being translated) seems to be a better match on paper, yet Only One’s standout melody makes it the stronger of the two title … Continue reading
Idol band The Rose seemed to come out of nowhere last summer, but quickly developed a moderate amount of internet buzz even though Korea has mostly ignored them. To be honest, I didn’t quite understand what all the fuss was about. Past tracks Sorry and Like We Used To were pleasant bursts of modern rock, … Continue reading
Until We Meet (会えるまで) is the sixteenth B1A4 single that leader Jinyoung has composed, and his songwriting and producing skills show no signs of dampening. At this point, he’s developed a signature sound for the group — a stately, synth-kissed brand of melodic pop that feels at once powerful and dreamlike. And B1A4’s prolific Japanese … Continue reading
The Produce 101 train keeps chugging along with the debut of soloist Yoo Seonho. Making his mark as one of two very young trainees from Cube Entertainment (the other being Lai Guanlin, who would go on to debut as part of Wanna One), Seonho developed quite a fan base through the series. But despite his … Continue reading
In many corners of the online k-pop community, “Latin” has been a buzzword when considering the industry’s next possible trend. This makes sense, as it would be a natural progression from the tropical house we’ve been inundated with over the past couple of years. It would also converge nicely with k-pop’s growing popularity in Central … Continue reading
In a k-pop landscape that’s becoming more international by the year, Eric Nam finds himself in an enviable position. As a U.S. born entertainer, he has the language and cultural chops to act as a bridge between the Korean and American entertainment industries. Because of this, his music often feels like a hybrid of sounds … Continue reading
As tropical house has quickly fallen out of public favor, the artists that continue to subscribe to its specific template risk appearing out of touch with k-pop’s ever-evolving sound. When Hyeongseop and Euiwoong debuted as a duo last year, it was in the form of wistful mid-tempo It Will Be Good. That low-key single didn’t … Continue reading
The sub-unit of CBX is one of the most exciting EXO-related developments of the past few years. The group as a whole has often drawn from funk influences, but CBX offers an outlet to fully explore this side of the EXO sound. Their debut mini album was one of 2016’s best, filled to the brim … Continue reading
At this point, it’s almost pointless to review a Twice single. No matter the quality, the group’s insane popularity will ensure that it’s immediately lodged at the top of the charts and played into oblivion. Even if you don’t love the track on first listen, it’ll eventually wear you down through sheer ubiquity. And though … Continue reading
Though it’s not a problem unique to them, Badkiz may just hold the record for cycling through the most members across the span of their four year career. The group is currently a quartet, but has been home to a shocking fifteen different girls since debuting in 2014. And the thing is, this was never … Continue reading
Musically, the biggest risk involved with debuting a reality show-spawned project group like UNB is that their sound will be completely generic. There simply isn’t enough time to develop a unique aesthetic, especially given that fact that these members were brought together through public vote rather than musical compatibility. This isn’t to say that the … Continue reading
NCT’s Ten has developed quite a loyal fan base despite only appearing in a handful of the group’s comebacks. Perhaps this is because he shines so brightly as a soloist. It’s difficult to fully utilize his insane dance skills within a huge group configuration, so other members with bigger personalities tend to take precedence. But … Continue reading
As I wrote about in detail a couple months ago, season two of Produce 101 has spawned a seemingly endless supply of groups, duos and soloists. At this point, its alumni may be even harder to keep track of than the various units of SM’s NCT! And like NCT, we’ve now come to the point … Continue reading
For some, the heavy rock/hip-hop assault of Stray Kids’ District 9 may have felt too noisy and unrelenting. In my case, the song is only improving with age, and has quickly cemented these rookies as an exciting (and needed) burst of energy within the 2018 k-pop landscape. But as strong as their debut is, the … Continue reading
Since their debut in 2014, Winner have attempted more iterations than almost any other YG group. They first made their name as a mature, ballad-heavy pop act before shifting to a rock-influenced sound that somehow veered tropical as last year’s trends took hold. Through it all, they’ve maintained a certain level of melodic heft that’s … Continue reading
The Bias List // K-Pop Reviews & Discussion 