I’ll confess this right at the top: despite enjoying Yesung quite a bit as a performer, I nearly didn’t listen to this new solo track at all. My bias (and his musical history) had me expecting a specific type of ballad that just isn’t my thing. I very rarely have much to write about these … Continue reading
I feel like I must open every new DAY6-related review by mentioning just how well the group has done this year. It’s insane to see so many of their singles running up the charts — both old and new. Korea is clearly in love with their sound, more than any other time in the past … Continue reading
Boy group EPEX have taken the unusual route of releasing two full-length albums this year. And when we add new title track Universe to the list, the guys will have promoted a total of five (!) songs with music videos in 2024. That’s quite prolific. Not all the material has been equally great, but this … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Gone With The Wind (from LOL – 2016) With a cinematic title like Gone With The Wind, you just know this is going to be good! Indeed, it’s one of my highlights from the LOL album. The song opens with a peppy … Continue reading
Today, Minho becomes the final SHINee member to release a full studio album. New material from SHINee is always something to cheer about, but in the past Minho’s work hasn’t often been targeted to my taste. He tends to prefer more downbeat, vibes-driven material. New single Call Back adds a driving beat, but its tone … Continue reading
As sure as the sun sets, we can count on J.Y. Park to return each year with a fun retro banger. It’s practically a national holiday at this point. He’s long since eschewed albums for digital singles and this approach gives him a chance to funnel all his energy into one great song at a … Continue reading
Earlier this year, TXT unveiled the angsty Deja Vu, capitalizing on the rock-infused sound that made their 2021 so exemplary. However, I felt that song’s production held it back from blooming into the highlight it should have been. Now, the guys have reverted to their second mode of pop song: upbeat, disco-kissed dance music. They’ve … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Glow (from Time For Us – 2019) GFriend never explored roller rink disco pop as often as they probably should have, but each and every effort is a standout. Their vocals lend themselves very well to this style, backed by shimmering synths … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Glass Bead (from Season Of Glass – 2015) Previous Thoughts: “Its hooks are sharp and punchy, underlined by a bright beat that approaches new jack swing without completely embracing the genre. Extra stabs of percussion add emphasis in all the right places, … Continue reading
I didn’t watch this season of Kingdom and don’t hold any particular allegiance to any of the participating groups, but I thought it might be fun to take a listen to the series’ original songs and do a little ranking anyway. Because I have no context around these releases, my opinions are entirely based on … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! From Me (from Labyrinth – 2020) We’ve had a lot of bangers this week, and now it’s time for something more gentle. From Me retains a classic GFriend tone, but tempers the theatrics. If other tracks sounded like a huge, bustling metropolis, … Continue reading
Top Media’s first ever girl group teased their debut last month with pre-release Best Friendz. From that song alone, it felt as if their music would be pitched toward a younger audience. Their proper debut track arrives today and shines more light on where the group may be headed. After Best Friendz, it’s pretty jarring … Continue reading
I loved Kep1er’s nine-member swan song Shooting Star and was upset when they never performed it at this year’s KCON LA. Now the group is down to seven, as Mashiro and Yeseo parted ways to join 143 Entertainment’s Madein. A new configuration opens potential for a new sound, and Tipi-Tap certainly switches things up. Unfortunately, … Continue reading
In the lead-up to BABYMONSTER’s first full album, they’ve teased all of its songs except title track Drip. We even heard the full album opener Clik Clak two days ago. I haven’t been impressed by much of the group’s discography so far, but YG Entertainment always seems to come up with at least one highlight … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Flower Garden (from Time For The Moon Night – 2018) What I said then: “MIO also produced last year’s excellent Please Save My Earth, and borrows the same wind-tunnel layering effect for Garden‘s pre-chorus. It’s hard to explain this specific audio trick … Continue reading
Around this time last year, BTOB left their longtime agency Cube Entertainment. They’ve since established their own BtoB Company to manage activities for most members, presumably giving them more creative freedom. As their first group effort since this transition, Please Stay (불씨) doesn’t reveal much change. The emotive ballad sits well within their established discography. … Continue reading
Earlier this year, Moon Jongup reunited with three other ex-B.A.P members for “Bang & Jung & Yoo & Moon,” but he’s also been active as a soloist. New single Twist Ya follows last year’s slinky X.O.X, adding a healthy dose of synthwave to give the track extra flavor. Though it doesn’t break any new ground, … Continue reading
It’s been seven years since I last got to write about new G-Dragon music. To call him foundational to my own K-pop fandom would be a vast understatement. From his work with Bigbang to his solo material, G-Dragon is K-pop for me. With an album set for release next month, he’s finally returned with pre-release … Continue reading
One song. Every day. Alphabetical order. Keep up with GFriend’s A-Z reviews here! Flower (from Fallin’ Light – 2019) What I said then: “As with many J-pop tracks, Flower’s melody is pretty long-winded, taking several different refrains and melding them into one intricate chorus. Because of this, the song lacks the direct and immediate impact … Continue reading
STAYC’s 2024 material has been increasingly quirky, marked by oddball earworms like Cheeky Icy Thang. Their music’s appeal has always been a bit left of center, which is a good thing. But in a current girl group landscape that favors beige easy-listening, it’s interesting to hear them adjust to the trends. New single GPT does … Continue reading
The Bias List // K-Pop Reviews & Discussion 