Apink’s Kim Nam Joo made her solo debut in 2020 but hasn’t released new material since then. Sticking with the monosyllabic b-word pattern of past track Bird, she’s returned with new single Bad. It’s a mix of blazing potential and crushing frustration. When it comes to girl group material this year, there’s been a persistent … Continue reading
The Boyz’ Phantasy series has seen them in top form, rattling through a variety of styles with confidence and flair. The trilogy comes to a conclusion with Love Letter, which feels a bit like an afterthought. Minimal promotion and a truncated track list give it the air of a going-through-the-motions repackage, but thankfully Nectar continues … Continue reading
It’s hard to believe it’s been nearly three years since DAY6 released a new album. The aptly-titled Fourever is their first as a quartet and a welcome return for one of the most dominant idol bands of the last decade. Title track Welcome To The Show offers a suitably dramatic sound to usher in their … Continue reading
A J-pop act’s single isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. I want to spotlight some of these buried treasures and give them the props they deserve. I don’t usually post “buried treasures” for J-pop, most often because they’re not … Continue reading
The Bias List doesn’t have a recurring feature for new album reviews outside of K-pop, but my favorite acts always get extra coverage so I had to devote a special feature to J-pop group Ryugujo’s new EP. I often refer to Ryugujo as the most exciting act on the planet right now, and that excitement … Continue reading
Anyone remember short-lived boy group MASC? They had a couple of bangers, but unfortunately disbanded before they could establish much of a discography. Members Heejae and Ireah appeared on last year’s Peak Time series and have re-debuted as duo SEVENUS. The idea of a duo is highly underrated in K-pop. They all exist in the … Continue reading
Boy group Xodiac are coming up on their first year anniversary this April, and what better way to celebrate than a pleasant pop track with the airy ease of a fan song? Longtime readers will know I usually equate “pleasant” with “boring,” and this really comes down to time management. If I only had five … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. You spend over a decade waiting … Continue reading
Way back in 2001 when reality TV was still in its infancy, the American iteration of manufacture-a-pop-group series Popstars resulted in the formation of girl group Eden’s Crush. Over two decades later, they’re most notable for introducing Nicole Scherzinger (of Pussycat Dolls fame) to the world. But a select few of us millennials still remember … Continue reading
It’s taken awhile, but artists and agencies have figured out how to keep momentum going as idols make their mandatory military enlistment. It used to be unheard of to deliver “new” content during these extended hiatuses, but now it’s become commonplace to record music and even videos for future release during enlistment. ONF managed to … Continue reading
YooA’s 2020 solo debut was a slam dunk, unveiling a unique musical scope and vision that complimented her work with Oh My Girl while pushing into new territory. Since then, she’s switched things up in increasingly generic ways and I’ve struggled to connect with her title tracks. Rooftop is another sonic shift, with one foot … Continue reading
JYP Entertainment has found great success straddling the K-pop and J-pop markets with acts who can easily swerve between the two. New boy group NEXZ will continue this tradition with their upcoming debut, but first it’s time for a fresh single from NiziU. Though they’re first and foremost a J-pop act, the girls made a … Continue reading
Though seemingly benign in its silliness, the phrase “doo doom chit” has big shoes to fill. It recalls memories of the colorful Crayon Pop — a goofy pop act with the songs to back up their gimmickry. K-pop’s girl group trends don’t exactly favor this style at the moment, and could do with a bit … Continue reading
Fantagio Entertainment’s new boy group LUN8 has had an oddly fractured debut roll-out. They emerged late last spring and then followed their title track with a sub-unit release in the fall. New single Super Power marks their first official comeback as a full group, and sounds very little like any of the tracks they’ve released … Continue reading
Since their late-2020 debut, BAE173 have cycled through various boy group tropes — some more successful than others. To me, they’re at their best when revisiting an overwrought, emotional second-gen sound. Tracks like Annoyed and Loved You give them their own niche in the current K-pop landscape, albeit one that’s borrowed from fifteen years ago. … Continue reading
Red Velvet’s Wendy has already established a successful solo career, but it’s existed mostly through ballads that suit her strong vocal power and expression. For new single Wish You Hell, she’s embraced an edgier sound that feels more in line with her group material. As suggested by its title, Wish You Hell slots firmly within … Continue reading
It’s been fun to watch the Highlight members grow into elder statesmen of K-pop, continuing to go strong even as the group has dwindled to four. They’ve managed to keep their fans fed pretty consistently since their rebrand, though it’s been over a year since their last comeback. New single Body sees them return in … Continue reading
Lately, there’s been a plague of member hiatuses and departures for reasons that feel comparatively minor. Tempest’s Hwarang is currently sitting out group activities as penance for… visiting a dance club. Look, there’s a lot I love about K-pop (obviously), but this silly micromanagement of its artists needs to stop. It’s reached a level where … Continue reading
It’s been a long musical hiatus for dance diva Chungha, during which her contract with MNH Entertainment expired and she moved to Jay Park’s label More Vision. Eenie Meenie is the first taste of this new era, and she’s brought along a familiar face to kick things off. Eenie Meenie features ATEEZ’s Hongjoong, instantly raising … Continue reading
It took me some time to come around to xikers’ sound, but their second mini album — and particularly the raucous energy of title track Do Or Die — made me a convert. As with any group debuting in the shadow of an ultra-famous agency senior, they’re at their best when blazing their own musical … Continue reading
The Bias List // K-Pop Reviews & Discussion 