Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. One of my favorite genres of all time is dance rock. … Continue reading
As part of my 2018 mid-year retrospective, it’s time to look at those songs that either rose or fell as the months have passed. Some songs are slow-burners. Others impress in the moment but fizzle out quickly. And sometimes, a song surpasses expectations to become a cultural phenomenon. This year has actually seen more risers … Continue reading
Kim Samuel has been one of the most prolific post-Produce 101 acts, blitzing his way through four title tracks (and two Japanese singles) in just ten months. He’s got the energy of youth on his side, plus the steady producing hands of Brave Sound. If I’m being completely honest, Samuel’s vocals have never been my … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2018 Overall Thoughts Well, March certainly didn’t pan out the way I had expected. If … Continue reading
Since last summer’s Produce 101 ended, Kim Samuel has hit the ground running. In less than a year, he’s delivered three albums (one full, two mini) and a Japanese debut. That’s pretty prolific for a sixteen-year-old soloist. And though his work has never gone beyond the confines of what we might consider “teen pop,” each … Continue reading
In the months since its conclusion, season two of Produce 101 has dramatically altered the k-pop landscape — at least when it comes to boy groups. Its reach extends to so many corners of the industry that it can be difficult to keep up with it all. That’s where this handy guide comes in, as … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2017 Overall Thoughts Just like last November, this month saw a quality stream of new releases. … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Apart from title track Sixteen, I wasn’t a big fan … Continue reading
Before he was known as part of Produce 101’s “Avengers team,” Samuel was one half of underrated retro act 1Punch. Debuting in early 2015, the one-and-done duo released the fantastic New Jack Swing of Turn Me Back. It’s a sound I’ve always wanted Samuel to return to, and Candy (캔디) sees him doing just that. … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2017 Overall Thoughts August was a weird month. Based on prior releases, if you would have … Continue reading
If any contestant seemed best primed for a debut with Produce 101 Season 2’s boy group Wanna One, it was Kim Samuel. He’d already gained debut experience with duo 1Punch and as a solo act, and enjoyed a built-in fan base that stretched all the way back to his trainee days with Pledis Entertainment. So … Continue reading
The Bias List // K-Pop Reviews & Discussion 