While K-pop has been consistently above average this year, my J-pop fortunes haven’t been so bright. It’s a real turnaround from this time last year, when I was able to feature fifteen beloved tracks. The choices were more limited this time, but it’s still worth pointing out some stellar work from a few favorites. What … Continue reading
It’s pretty ballsy to name your single “Hot Mess,” essentially teeing up critics and naysayers if the song is anything less than amazing. But if we’re speaking of “amazing,” aespa already have a super solid track record. And with Supernova‘s incredible chart dominance this spring, the girls seem to have entered an imperial phase. Can … Continue reading
While 2024 has delivered quite a few standout singles so far, I haven’t been as blown over by the albums. Still, I was surprised how many I was able to cobble together. Unlike in the past, I’m not distinguishing between mini and full albums, though albums must have at least four full songs to be … Continue reading
It appears there will be no full group comeback for SHINee this year, but that doesn’t mean the individual members won’t be busy. In between his many appearances on variety, Key has returned with a new Japanese single. Tongue Tied was made available last week, but today marks its music video debut. I haven’t been … Continue reading
Wow, what a change a year can make! At this point in 2023, I was only able to pick a small handful of tracks to feature in my mid-year countdown, but 2024 has me spoiled for choice. My list is unusually long this time and probably won’t be all that surprising (barring one or two … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2024 Overall Thoughts It’s been awhile since I’ve said this, but K-pop is in a … Continue reading
It’s been a long time since I’ve written one of these top ten lists. (Okay… it’s been years.) But what better excuse to dive back in than a tenth anniversary celebration? Red Velvet celebrate their tenth year this summer and now it’s finally time to take a look at my favorite album tracks and b-sides … Continue reading
SM Entertainment is having a busy Monday, with no less than three comebacks across both the Korean and Japanese market. Super Junior’s Donghae and Eunhyuk join Red Velvet and NCT Wish in celebrating new music with the release of Japanese single You&Me. And like many acts this month, they’ve opted for a bright, funky summertime … Continue reading
NCT Wish debuted earlier this year as NCT’s final fixed unit. Straddling the line between Japanese and Korean promotions, they appear to be following NCT Dream’s bright sound template rather than the angular experimentation of units like 127. February’s funky Wish was a decent start, but new single Songbird feels like their true arrival. I’ve … Continue reading
Sometimes I forget just how bulletproof the first five years of Red Velvet’s discography was. I’ve been less enthused with their post-2019 output, but even when the music wasn’t my cup of tea the group’s vocals still impressed. They’re one of the premiere girl groups of the last decade, and their tenth anniversary should see … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
aespa’s Supernova is smashing the charts in unexpected ways, far surpassing the effect of their album’s actual title track. I’m happy to see this, as I’d love SM Entertainment (and girl groups in general) to fully embrace this upbeat electro sound. Apparently, the Korean listening public is of the same mind! However, I found Supernova‘s … Continue reading
RIIZE are part of a vanguard of fresh fifth-gen acts that are making this year’s K-pop quite exciting. Pre-release Impossible remains a certified mega-banger, while Love 119 just may be 2024’s biggest grower. So far, they’ve managed to keep the quality remarkably high despite traversing various genres. New title track Boom Boom Bass marks the … Continue reading
Surprise drops don’t really exist in K-pop, but Super Junior’s Show Time is as close as we get. Teased only days ago, the digital single arrives without much build-up. It’s their first group comeback since 2022, though the individual members and sub-units have been active more recently. Show Time feels tailor-made for live performances. Its … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
NCT Dream’s new Japanese single Moonlight has been kicking around for a few weeks now. In fact, I first wrote about it as part of my weekly J-pop series. At that point, we were unsure whether it would receive a music video or not, but I’m glad the track has gotten the promotion it deserves. … Continue reading
As a spin-off to my Battle of the B-sides feature, I’m pleased to announce the arrive of “Battle of the Title Tracks!” In this feature, I’ll be pitting three K-pop title tracks/singles against each other and choosing a winner. These songs will mostly be from pre-2016 since I’ll try to focus on music I haven’t … Continue reading
WayV returned last year with a solid album and an interesting title track. Now that summer fast approaches, their newest comeback promises something brighter and groovier. Given that one of my favorite WayV b-sides is 2020’s buoyant Electric Hearts, this is definitely welcome news. And with the NCT universe not as dominant as it used … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2024 Overall Thoughts There were a number of big-name releases in May, yet somehow the … Continue reading
The Bias List // K-Pop Reviews & Discussion 