At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2023 Overall Thoughts This December round-up always feels more like a formality than a need. … Continue reading
Now that I’ve finished all my K-pop related countdowns of the year (yay!), I liked to take a macro view and determine which specific comeback or debut was my overall strongest of the year. There are always some personal surprises here, but the numbers don’t lie. As before, I took five categories and gave them … Continue reading
To be honest, this year I tended to watch most K-pop music videos one or two times before moving onto the song and leaving the visuals behind. The water mark for music videos has become very high, with the industry churning out cinematic, big-budget works every other day. While many videos could comfortably slot into … Continue reading
2023 was a weird year for K-pop choreography. There didn’t seem to be too many iconic point moves, even as TikTok challenges continue to necessitate catchy, easy-to-replicate routines. As usual, this is not a ranking of the most technically impressive performances of the year. Instead, here are ten routines that caught my eye in 2023. … Continue reading
TVXQ are celebrating their twentieth anniversary with the release of their first Korean album in five years. There are few active K-pop acts I’d consider “royalty,” but TVXQ are legends among legends. It’s always exciting to have them back with new music, even if a lot has changed since 2018’s New Chapter #2: The Truth … Continue reading
Following a tradition first established in 2020, I’m celebrating the holidays today with the opening of gifts. These packages come in the form of seasonal K-pop tracks not yet reviewed on the blog. Like last year, I’m either keeping the gifts or planning to return them. Nothing this year is objectively bad, but I only … Continue reading
It’s become a tradition for at least one SM Entertainment artist to release winter-themed material each year. Sometimes, the whole agency gets in on the fun, but this year it’s NCT 127’s turn to deliver the holiday cheer. Be There For Me is broad enough to work as a “normal” single, but its cozy video … Continue reading
One of the unique features of The Bias List is its “buried treasure” write-ups. I try my hardest to comb through every major K-pop album released each year and when a song catches my ear I highlight it on the blog. This countdown is an encapsulation of those write-ups, ranking my top 40 b-sides and … Continue reading
One of the unique features of The Bias List is its “buried treasure” write-ups. I try my hardest to comb through every major K-pop album released each year and when a song catches my ear I highlight it on the blog. This countdown is an encapsulation of those write-ups, ranking my top 40 b-sides and … Continue reading
Now that I’ve taken a look at the new acts that colored 2023, it’s time to focus on their established counterparts. For me, most K-pop years are defined more by their rookies than older artists, and 2023 was no different. As usual, the criteria is built around these three facets: Quality of work Quantity of … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
As per tradition, the next few weeks on The Bias List will be stuffed with all sorts of year-end countdowns, mostly concerning the year in K-pop but also encompassing J-pop, global pop and even Japanese dramas! Basically, it’s a chance for me to take stock of my year in fandom and celebrate the things I … Continue reading
Over the years, NCT U has acted as a rotational unit to showcase different configurations of members across a variety of genres. This time, it brings together four Chinese members: Renjun, Chenle, Xiaojun, and Kun. Divided equally between WayV and NCT Dream, Marine Turtle offers a nice chance for the guys to show off their … Continue reading
While I don’t really watch any Korean award shows anymore, this year’s Melon Music Awards had a more exciting line-up than MAMA so I had to at least check out the performances. As expected, there were a few real standouts. Apart from this list, I also liked the new stage mix for ZEROBASEONE but didn’t … Continue reading
TVXQ performed Down on this year’s MAMA Awards as the first taste of their upcoming album. It’s hard to believe it’s been five years since their last Korean comeback. I’m hopeful their new music will be an extension of their excellent catalog, but lately SM Entertainment has struggled to deliver the goods when it comes … Continue reading
MAMA used to be such a big deal in K-pop, but I’m embarrassed to say I didn’t even know when it was happening this year! The hype definitely seemed underwhelming. So rather than slog through the entire show and its meaningless awards, I hopped on YouTube and watched the performances. Here are the three that … Continue reading
Though she’s featured in SM Entertainment’s super group Got The Beat and made a successful return with Girls’ Generation last summer, it’s been a long wait for new solo music from Taeyeon. It’s hard to believe INVU was nearly two years ago! Now, she’s back with a new mini album and title track To. X. … Continue reading
The Bias List // K-Pop Reviews & Discussion 