One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Beautiful Goodbye (from Pinocchio (Danger) / Hot Summer – 2011) Opening with the chiming of bells and a dramatic English-language testament from Amber, Beautiful Goodbye stakes its claim on emotional resonance. Its slick mid-tempo beat is firmly entrenched in the mid-to-late 90’s, … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. When listening to NCT’s Resonance Part 1, I’m struck with the … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! All Night (from Red Light – 2014) Sure, f(x) can get experimental. But, some of their most enjoyable work is also their most approachable. All Night continues K-pop’s love for everything retro, offering a roller-rink ready synth disco track. From its programmed … Continue reading
Fans have barely had a chance to breathe between SM Entertainment’s SuperM album and this new, ambitious NCT project. Resonance brings together all twenty-one members, plus two new faces, for part one of a compilation album that mixes and matches the guys into various units. Resonance will be promoted by two title tracks, and the … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! October … Continue reading
Like they did back in the winter of 2018, NCT is making full use of their malleable roster for a new 2020 project. Unlike 2018, which saw multiple title tracks unveiled over the course of several weeks, this album’s promotion seems to be occurring in a tighter timeframe. But, NCT has exploded in popularity over … Continue reading
You better believe the opening of Taeyeon’s new Japanese single got me all sorts of nostalgic. With a simple “C’mon girls, this is our generation,” I realized once again how much I miss Girls’ Generation being a force in K-pop. They’re often held up as the definition of a “Nation’s Girl Group,” and for good … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2020 Overall Thoughts Back in late winter, my reviews were often besieged with comments stating … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. A few years ago, UP10TION were one of K-pop’s most promising … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. SuperM’s new album is so loaded with content that it’s hard … Continue reading
SM Entertainment has always scheduled quick repackage releases, but Super Junior-D&E’s Bad Liar emerges in what feels like record time. Not even a month has gone by since the guys dropped B.A.D. But then again, SM’s release schedule has been unusually packed all month, and this frenzied rush doesn’t seem as though it will slow … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! August … Continue reading
The road to SuperM’s first full-length album has been paved by two pre-release singles: the high-octane, polarizing 100 and the EXO-meets-NCT Tiger Inside. Both did a good job showcasing the grandeur that fuels the SuperM project, but now that we’ve arrived at the album’s official title track, it feels like the time to really throw … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! July … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! June … Continue reading
Though I’ve enjoyed virtually everything Taemin has released, and often hold him up as one of K-pop’s luminary performers, there’s a certain energy I’ve missed from his Korean output since 2016. Perhaps this is just my bias, having grown up with the Jacksons as my musical icons, but Taemin has always struck me as one … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! May … Continue reading
When last we heard from Donghae and Eunhyuk, they were trying to convince us how dangerous they were. I wasn’t totally sold on the concept, but now they’re back with B.A.D – another attempt at bad boy posturing. This time, the sentiment feels a little more authentic, thanks to a few musical touches that stray … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2020 Overall Thoughts At the beginning of the year, one of my wishes for 2020 … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! April … Continue reading
The Bias List // K-Pop Reviews & Discussion 