K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
How’s that for a very Bias List specific title of a post? The thing is, after a very long drought, we’re on the verge of our first Sweetune-produced title track in many, many months with the release of BBGirls’ new single on the 15th!! Before that, I’ve got a bit of an unusual playlist for … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2017 Overall Thoughts Just like last November, this month saw a quality stream of new releases. … Continue reading
It took them awhile, but girl group Sonamoo have finally released two fantastic, back-to-back singles. This summer’s Friday Night was an unexpected, disco-infused treat, but I (아이) ups the ante by pulling influence from k-pop’s past. The song may have been produced by one half of the ubiquitous e.one production duo, but its dramatic, brass-spiked … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2017 Overall Thoughts August was a weird month. Based on prior releases, if you would have … Continue reading
Ever since Bigbang‘s MADE project in 2015, multi-month single album campaigns have become an increasingly popular mode of promotion for k-pop acts. It can be an especially enticing idea for struggling groups, allowing them to keep their name in the spotlight for longer than a typical promotional period. But for every prolific DAY6, there is … Continue reading
Of all the new generation girl groups, Sonamoo have had the hardest time distinguishing themselves from the pack. Over the course of three title tracks, the girls have given us some decent music, but it’s all been slavishly generic. It’s almost as if their agency doesn’t quite know what to do with them. Unfortunately, the … Continue reading
Of all the newly debuted girl groups, TS Entertainment’s Sonamoo has mostly passed me by. I found their debut underwhelming, but thought Cushion was a step in the right direction, at least melodically. With I Like U Too Much (넘나 좋은 것), they’ve assimilated into the current cutesy trend, losing some of their identity along … Continue reading
The Bias List // K-Pop Reviews & Discussion 