A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. CRAVITY deserve praise for releasing a … Continue reading
Five years since their debut, CRAVITY are in a rebirth phase. They’ve changed leaders and teased their new album with images of the members emerging from giant eggs covered in amniotic fluid. Yes, you read that correctly. And yes, it’s kind of awesome in its sheer nerve. Rebirths in K-pop don’t always mean drastic shifts … Continue reading
With over 5,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Rookie group KiiiKiii have launched their fourth music video from their debut mini album, milking the project far more than most acts would. I appreciate this “visual album” approach, though it would have been more satisfying if I also loved the music behind it. Of all the songs on the EP, Groundwork points toward the … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
To K-pop fans, J-pop’s extended promotional schedule might seem crazy. The audio of CRAVITY’s new single Jelly Bean was released all the way back in mid-February, but the physical single and music video weren’t available until today. This gives J-pop acts a nice window to promote up until their release date rather than save all … Continue reading
Even though today marks KiiiKiii’s official debut, it feels like they “debuted” weeks ago with their pre-release I Do Me heavily promoted on music shows. I still find that track incredibly generic, but its earworm melody has snuck up on me through sheer repetition and the group sell it well on stage. Now, it’s time … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2025 Overall Thoughts K-pop continued to limp along this month, though the second half of … Continue reading
A week ago, Starship Entertainment’s new girl group KiiiKiii pre-released their first track I Do Me, prompting a lukewarm response from me and many others who wished the group wouldn’t play things so safe. Be careful what you wish for, I guess, because they’re back with another pre-release — ironically titled Debut Song. I’m not … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
With the debut of SM Entertainment’s new girl group just around the corner, Starship Entertainment has lodged a stealth attack by pre-releasing music from their upcoming girl group KiiiKiii first. Given the agency’s huge success with IVE, all eyes are on KiiiKiii’s emergence in the industry. And if I Do Me is any indication, the … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
IVE have built a sizable portion of their singles run around iconic samples, from Gloria Gaynor’s I Will Survive to Blackstreet’s No Diggity to Ryuichi Sakamoto’s Merry Christmas, Mr. Lawrence. These interpolations have almost become a concept of sorts, and new single Attitude follows suit by borrowing the iconic hook from Suzanne Vega’s Tom’s Diner. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2025 Overall Thoughts It’s a new year! But it… kind of doesn’t feel like it … Continue reading
Because of MBC’s unprecedented decision to air their Gayo Daejejeon over two nights this year, my recap and ranking will also be divided into two parts. Make sure to check out part one for my general thoughts on the festival as well as a personal ranking of the best performances of night one. Now, it’s … Continue reading
Yes, you read that title right. We are going back to 2024 for two nights with MBC’s (delayed) Gayo Daejejeon. This end-of-year festival was filmed on New Year’s Eve, but its broadcast was postponed after the tragic Jeju Air Crash. At the time, I assumed the festival would air a week — maybe two — … Continue reading
The Bias List // K-Pop Reviews & Discussion 