At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
With the debut of SM Entertainment’s new girl group just around the corner, Starship Entertainment has lodged a stealth attack by pre-releasing music from their upcoming girl group KiiiKiii first. Given the agency’s huge success with IVE, all eyes are on KiiiKiii’s emergence in the industry. And if I Do Me is any indication, the … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
IVE have built a sizable portion of their singles run around iconic samples, from Gloria Gaynor’s I Will Survive to Blackstreet’s No Diggity to Ryuichi Sakamoto’s Merry Christmas, Mr. Lawrence. These interpolations have almost become a concept of sorts, and new single Attitude follows suit by borrowing the iconic hook from Suzanne Vega’s Tom’s Diner. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2025 Overall Thoughts It’s a new year! But it… kind of doesn’t feel like it … Continue reading
Because of MBC’s unprecedented decision to air their Gayo Daejejeon over two nights this year, my recap and ranking will also be divided into two parts. Make sure to check out part one for my general thoughts on the festival as well as a personal ranking of the best performances of night one. Now, it’s … Continue reading
Yes, you read that title right. We are going back to 2024 for two nights with MBC’s (delayed) Gayo Daejejeon. This end-of-year festival was filmed on New Year’s Eve, but its broadcast was postponed after the tragic Jeju Air Crash. At the time, I assumed the festival would air a week — maybe two — … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
From their late-2021 debut to 2023’s I Am, IVE unveiled one of the most bulletproof singles runs we’ve seen in the past few years in K-pop. Song quality became more hit-or-miss as we moved into 2024 and the group expanded their sound. I firmly believe they’re at their best when delivering mini pop epics. Pre-release … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2024 Overall Thoughts Oh gosh, what a month for South Korea. December started with martial … Continue reading
Just like last year, I wanted to share my top twenty most-viewed posts for 2024. I find this list an interesting gauge of who is popular (at least among netizens who read reviews). The most obvious takeaway from this list is the utter dominance of girl groups. Seriously, there’s only one boy group in the … Continue reading
(Note: If you’re unable to view this post on a phone, please try on another device. I believe the number of video embeds is causing trouble on certain browsers.) Yep, I’m back to writing about K-pop’s year-end festivals. They were some of the earliest events I covered on this blog but over the past few … Continue reading
A few years ago, many of K-pop’s best tracks were buried as b-sides. This year was different, with most of my favorite music promoted as title tracks. I certainly prefer this approach. After all, great songs should be paired with great visuals/choreo whenever possible. However, it made for a slightly less prolific slate of “buried … Continue reading
Now that I’ve taken a look at the new acts that dominated 2024, it’s time to focus on their established counterparts. Though my favorite group of the year was a rookie, most of my favorite music came from artists who debuted in years prior. As usual, the criteria is built around these three factors: Quality … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Fresh off their victory on the newest season of Road To Kingdom, CRAVITY are striking while the iron is hot with a new single album. It’s uncommon to promote in the month of December, but I’m happy to hear new music during a traditionally slow period. Now Or Never makes for a suitable follow-up to … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2024 Overall Thoughts Well… how are we all doing? Given the news of the past … Continue reading
So, I sat down and watched all three days of the MAMA Awards this year. Well… almost all three days (there was definitely some fast-forwarding). After a few years being pretty resigned to the ceremony, I was curious this year because so much of my favorite 2024 music came from artists who were big enough … Continue reading
The Bias List // K-Pop Reviews & Discussion 