At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
From their late-2021 debut to 2023’s I Am, IVE unveiled one of the most bulletproof singles runs we’ve seen in the past few years in K-pop. Song quality became more hit-or-miss as we moved into 2024 and the group expanded their sound. I firmly believe they’re at their best when delivering mini pop epics. Pre-release … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2024 Overall Thoughts Oh gosh, what a month for South Korea. December started with martial … Continue reading
Just like last year, I wanted to share my top twenty most-viewed posts for 2024. I find this list an interesting gauge of who is popular (at least among netizens who read reviews). The most obvious takeaway from this list is the utter dominance of girl groups. Seriously, there’s only one boy group in the … Continue reading
(Note: If you’re unable to view this post on a phone, please try on another device. I believe the number of video embeds is causing trouble on certain browsers.) Yep, I’m back to writing about K-pop’s year-end festivals. They were some of the earliest events I covered on this blog but over the past few … Continue reading
A few years ago, many of K-pop’s best tracks were buried as b-sides. This year was different, with most of my favorite music promoted as title tracks. I certainly prefer this approach. After all, great songs should be paired with great visuals/choreo whenever possible. However, it made for a slightly less prolific slate of “buried … Continue reading
Now that I’ve taken a look at the new acts that dominated 2024, it’s time to focus on their established counterparts. Though my favorite group of the year was a rookie, most of my favorite music came from artists who debuted in years prior. As usual, the criteria is built around these three factors: Quality … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Fresh off their victory on the newest season of Road To Kingdom, CRAVITY are striking while the iron is hot with a new single album. It’s uncommon to promote in the month of December, but I’m happy to hear new music during a traditionally slow period. Now Or Never makes for a suitable follow-up to … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2024 Overall Thoughts Well… how are we all doing? Given the news of the past … Continue reading
So, I sat down and watched all three days of the MAMA Awards this year. Well… almost all three days (there was definitely some fast-forwarding). After a few years being pretty resigned to the ceremony, I was curious this year because so much of my favorite 2024 music came from artists who were big enough … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Before I take a brief look at many of K-pop’s smaller agencies, there are a few that I have more to say about. Consider these “bonus” write-ups — shorter than the “big four” but longer than a paragraph or two could cover. As usual, the thoughts below are my own and aren’t privy to any … Continue reading
IVE had a rough English-language debut earlier this year with an overly artificial cover of Icona Pop’s 2013 hit All Night. Mixing issues and heavy-handed vocals effects marred that effort, so it makes sense the group would team up with an established producer who could iron out some of those issues. They picked a good … Continue reading
I didn’t watch this season of Kingdom and don’t hold any particular allegiance to any of the participating groups, but I thought it might be fun to take a listen to the series’ original songs and do a little ranking anyway. Because I have no context around these releases, my opinions are entirely based on … Continue reading
As a spin-off to my Battle of the B-sides feature, I’m pleased to announce the arrive of “Battle of the Title Tracks!” In this feature, I’ll be pitting three K-pop title tracks/singles against each other and choosing a winner. These songs will mostly be from pre-2016 since I’ll try to focus on music I haven’t … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Many readers have been asking for it, and I’m finally ready to unveil this year’s Bias List Legendary Songs Inauguration Ceremony! A total of forty-nine songs have already been inaugurated as part of this feature, including a few J-pop highlights. As a rule, this ceremony only covers material released since The Bias List‘s inception (Jan … Continue reading
On top of their hit-filled Korean discography, IVE are quickly establishing a solid string of Japanese singles. Crush is their follow-up to last year’s Wave, a song I enjoyed and one that already seems to be a fan favorite. Now, the group has returned to the grand pop sound of highlights I Am and Love … Continue reading
The Bias List // K-Pop Reviews & Discussion 