There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Last time I wrote about a Japanese STAYC single they were saying “Meow.” Now, they’re saying MWUAH. Fair enough. Not everyone speaks Japanese, I guess. These strange utterances match their quirky sound, though sometimes the group’s music feels like one good idea without the development to make it into something fantastic. The titular “MWUAH” appears … Continue reading
I’m back with a recap of K-Pop’s year-end festivals. As always, we’ve got events from KBS, SBS and MBC in that order. However, I wasn’t aware that KBS was saving their “Music Bank in Japan” special until December 30th so I’ll probably write about that one too. Honestly, I thought they’d just mash it together … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Technically, there are still a few weeks left of summer in my area, but with days getting shorter and back-to-school looming around the corner, we’re quickly transitioning to fall. With that in mind, I thought it would be fun to look back at the past few months and determine my ultimate 2025 summer playlist. I … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2025 Overall Thoughts In the context of this year, the past two months have been … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Earlier this year, STAYC found their dancefloor groove with the addictive Bebe. Though that song didn’t totally click with me initially, it gradually grew into one of my most-played tracks of the year. With new summer single I Want It, they group keeps the energy high with an early-2010’s EDM twist. As soon as I … Continue reading
This is a strange era for K-pop… at least when it comes to my own experience. On one hand, there are a handful of acts I feel more invested in than ever, which is the feeling everyone wants as a fan. In some ways, I’m more interested in K-pop than I have been in awhile, … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2025 Overall Thoughts While this year in K-pop has not wowed me yet (not even … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
When a song hits big in K-pop, the industry tends to drive that same sound into the ground over the next few years. With aespa’s Supernova and Whiplash both major hits in 2024, it was only a matter of time before pounding club beats and spoken-word attitude lodged itself within the girl group oeuvre. STAYC’s … Continue reading
Because of MBC’s unprecedented decision to air their Gayo Daejejeon over two nights this year, my recap and ranking will also be divided into two parts. Make sure to check out part one for my general thoughts on the festival as well as a personal ranking of the best performances of night one. Now, it’s … Continue reading
(Note: If you’re unable to view this post on a phone, please try on another device. I believe the number of video embeds is causing trouble on certain browsers.) Yep, I’m back to writing about K-pop’s year-end festivals. They were some of the earliest events I covered on this blog but over the past few … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2024 Overall Thoughts I’ve probably opened with this overused phrase during previous Octobers, but I’m … Continue reading
The Bias List // K-Pop Reviews & Discussion 