Now that I’ve taken a look at my favorite title tracks and singles of the year, it’s time to move on to… everything else. This countdown encompasses any track that didn’t receive a full music video. This becomes more nebulous by the year, with “track videos” and “special videos” and the like. I allow myself … Continue reading
I’m going to try something a little different this year. I have a number of albums I want to spotlight and it doesn’t seem fair to compare full-length projects to mini albums. So, I’ll have a countdown for each. Today, I’ll share my top five full-length albums of the year and tomorrow I’ll post my … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2025 Overall Thoughts In the context of this year, the past two months have been … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I like Super Junior’s new single … Continue reading
With some exceptions, SM Entertainment has become known for keeping its roster of artists around for the long haul. Super Junior are currently their second-longest running group and celebrate their twentieth (!) anniversary today with a new album. SM’s anniversary projects tend to be great (SNSD’s Forever 1, SHINee’s The Story Of Light series, SuJu’s … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Super Junior sub-unit L.S.S — comprised of members Leeteuk, Shindong and Siwon — have the dubious honor of the lowest-rated SJ release on this blog. In fact, last year’s Joke is one of the lowest-rated songs in general. Their music tends to blend retro with novelty for tracks that feel more like memes than enjoyable … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2025 Overall Thoughts It’s a new year! But it… kind of doesn’t feel like it … Continue reading
Super Junior’s Eunhyuk made his idol debut nearly twenty years ago. Across those decades, he’s been active in sub-units and even released a couple solo tracks. However, he’s never delivered a solo album. With the release of Explorer, he’s finally taken the plunge. And like any artist should, he’s taken this opportunity to develop a … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Following a tradition first established in 2020, I’m celebrating the holidays today with the opening of gifts. These packages come in the form of seasonal K-pop tracks not yet reviewed on the blog. Like last year, I’m either keeping the gifts or planning to return them. Unfortunately, there was a lot of coal in the … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
I’ll confess this right at the top: despite enjoying Yesung quite a bit as a performer, I nearly didn’t listen to this new solo track at all. My bias (and his musical history) had me expecting a specific type of ballad that just isn’t my thing. I very rarely have much to write about these … Continue reading
Yesterday, WayV told us to “go higher” and now Super Junior-D&E are back with a similar message. The timing is pure coincidence, but it always amuses me when these things happen. Since establishing their own label, the duo have taken even greater control of their music. Judging by Go High‘s approach, that may not be … Continue reading
As a spin-off to my Battle of the B-sides feature, I’m pleased to announce the arrive of “Battle of the Title Tracks!” In this feature, I’ll be pitting three K-pop title tracks/singles against each other and choosing a winner. These songs will mostly be from pre-2016 since I’ll try to focus on music I haven’t … Continue reading
During this lull in new K-pop releases, I decided to go back and watch 2012’s MBC Gayo Daejun – the end-of-year extravaganza that ushered in 2013. Not only was it a euphoric time capsule of excellent music and stunning performances, but it brought to mind many thoughts after twelve years of K-pop fandom. Here were … Continue reading
The Bias List // K-Pop Reviews & Discussion 