Compared to this time last year, 2019 has seen a disturbing lack of Sweetune. You can imagine how well this has gone over with me. So unlike everyone else on the planet, salivating for Twice’s new comeback, I was off in a tiny corner of the internet waiting with bated breath for Beautiful (아름다워) — … Continue reading
Songs like Wake Up are easy to dismiss. They’re too catchy. They’re not self-serious enough. They have no redeeming artistic value. These are the kinds of criticisms that define what are considered “guilty pleasures” by many, and this outlook has been drilled subconsciously into my thinking as well. And yet, when I imagine the kind of … Continue reading
You all know how much I love a good producer! Honestly, I almost get more excited by the presence of certain producers’ names on title tracks than the artists themselves. Like last year, my countdown includes ten of 2018’s best composers. You’ll notice a lot of repeats from 2017, shuffled into different places. But, 2018 … Continue reading
We’ve been in the middle of a Sweetune drought for awhile now. The period of January through May spoiled us Sweetune-obsessives, with new tracks popping up almost every month. But, it’s been since TST’s own Love Story that we’ve heard something fully produced by the team. To raise anticipation even further, this new track is called … Continue reading
TST (formerly Top Secret) are one of a handful of boy groups who’ve enlisted production team Sweetune to craft their discography. But compared to the top shelf material recorded by Snuper and Golden Child, I feel like TST continue to get saddled with the bargain basement dregs. New single Love Story follows this trend. Sweetune ensure a … Continue reading
The fact that Lovelyz worked with Sweetune for That Day (그날의 너) is some consolation for personal faves Snuper ditching the production team for their upcoming comeback. It also brings renewed interest to the question of Woollim Entertainment’s partnership with Sweetune. I wish I had some knowledge of the inner workings of the industry, but the … Continue reading
Back in 2010, Woollim Entertainment’s Infinite debuted with Come Back Again, but followed it up by promoting album track-turned-single She’s Back. This multi-pronged promo approach doesn’t happen all that often anymore in k-pop without a repackage, but I’m delighted that it has been extended to Infinite-successors Golden Child. The group has made a quick turnaround … Continue reading
