K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
I’m one of those K-pop fans who scours pre-release track lists for producer credits. I often become more excited by my favorite composer’s name on a track than the actual artist themselves. Because of this, my “top producers of the year” countdown has become a fun annual tradition. After all, these songs don’t materialize from … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
RoaD-B have had an outsize presence on The Bias List relative to their lack of recognition elsewhere. I’m pretty confident that 99.9% of K-pop fans who don’t read this blog have yet to even hear their name. After all, they’ve only had one televised performance. Still, their debut single Nonstop was a huge highlight of … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. CSR have released one of the … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2022 Overall Thoughts In a paradoxical trend, the average song rating on this blog has … Continue reading
Sound the alarms! We have a K-pop emergency. Sweetune – yes, the Sweetune – have returned. They’re hunkered down in a bunker so nugu I didn’t even find them until the song was brought to my attention on twitter. But, they’re back nonetheless and RoaD-B’s Nonstop has raised my K-pop spirits just when they needed … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
As part of my “Top 100 K-pop Songs of All-Time” countdown, I took the effort to dive deeply into my top ten picks and break them down moment by moment. But, there are plenty of other songs that deserve this same treatment. So, The Bias List proudly presents an in-depth feature: “Breaking Down the K-pop … Continue reading
You’d be hard-pressed to find a bigger Sweetune fan than me. And with Han Jaeho and Song Sooyoon making a rare public appearance on web series MMTG last week, I’ve gone down yet another spiral of legendary Sweetune singles. As K-pop’s retro trend flourishes, I can’t fathom why agencies aren’t reaching out to the best … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! August … Continue reading
Sweetune’s partnership with vocal duo KEEMBO has often felt like “Sweetune go indie,” which explains why most of the songs haven’t bowled me over the way I’m used to with these producers. Rather than go big and bombastic with idol groups in mind, tracks like Scene and 99 felt slightly more left-of-center. This isn’t a … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! February … Continue reading
KEEMBO’s Love Me 4 Me caps off an underwhelming week of K-pop releases. I’d be lying if I said my mind was really on K-pop anyway, given the events of this first week of 2021. But, I do appreciate when the industry kicks off the new year with a bang. I still remember when SM … Continue reading
Well… 2020 was certainly different, wasn’t it? It was a year where the industry couldn’t function as usual, but that didn’t stop K-pop from churning out more music than ever. It was a year of unprecedented international success and rising album sales — just as most other music markets struggled to move physical product. It … Continue reading
As a Sweetune fanatic, it’s been depressing to watch the production team fade into obscurity over the past two years. With retro pop the trend of the day, I want nothing more than their patented sound to make its way back into the K-pop mainstream. But alas, 2019 and 2020 have seen the team’s output … Continue reading
One song. Every day. Alphabetical order. Keep up with f(x)’s A-Z reviews here! Love (from Pinocchio / Hot Summer – 2011) As far as I know, Love is the only instance where production team Sweetune has worked with SM Entertainment. That’s kind of surprising when you think about it, but just shows how much of … Continue reading
The Bias List // K-Pop Reviews & Discussion 