The Top 10 K-Pop Producers of 2022

The Top 10 K-Pop Producers of 2022

I’m one of those K-pop fans who scours pre-release track lists for producer credits. I often become more excited by my favorite composer’s name on a track than the actual artist themselves. Because of this, my “top producers of the year” countdown has become a fun annual tradition. After all, these songs don’t materialize from thin air!

Here are ten talents that stood out to me in 2022.

2022 Year-End Masterpost


MonotreeCompared to some producers on this list, Monotree had a sprawling 2022 discography. This resulted in plenty of peaks and valleys in quality, but they had more hits than misses — including a handful of great b-sides.

The Bias List Producer Spotlight

2022 Highlights:
Tempest – Bad News, Find Me, Start Up
MCND – #Mood
DRIPPIN – Delusion
BoA – The Greatest
ONF – Your Song, Runaway
ONEUS – Bring It On
Mamamoo – 1,2,3 Eoi!
Apink Chobom – Oscar
Moonbyul – Lunatic
ATBO – Run, Magic
Yoon Jisung – Bloom
Billlie – Highway Romance, My B = The Birth Of Emotion
UP10TION – Give Love
Luminous – Engine


kenzieKenzie earns her spot on this list thanks to three fantastic title tracks: Girls’ Generation’s Forever 1, Nayeon’s Pop and Key’s Gasoline. Twenty years in the business and she’s still making hits!

The Bias List Producer Spotlight

2022 Highlights:
Girls’ Generation – Forever 1
Nayeon – Pop!
Key – Gasoline
NCT Dream – Graduation
Apink – Holy Moly


Ryan-S-JhunRyan Jhun has been a staple on this list, and how could he not be? His name is a part of so many different K-pop tracks. 2022 wasn’t quite as prolific for him, but he was involved in highlights like IVE’s After Like, Super Junior’s Mango and Oh My Girl’s Real Love album.

The Bias List Producer Spotlight

2022 Highlights:
IVE – After Like, My Satisfaction
Oh My Girl – Real Love, Eden, Replay, Parachute, Kiss & Fix, Blink, Dear Rose
Super Junior – Mango
Lee Chaeyeon – Hush Rush, Danny, Aquamarine, Same But Different
aespa – Girls, ICU
Kihyun – Voyager, Youth
TVXQ – Like Snow-White
Taeyeon – Can’t Control Myself
NCT Dream – Better Than Gold
VIVIZ – Fiesta, Love You Like
Key – Burn
Pentagon – Feelin’ Like
Monsta X – Breathe
Ha Sungwoon – Focus
Luminous – Matryoshka


Christoffer SemeliusA newcomer to my list, Semelius earns a spot thanks to a strong suite of pop-informed tracks this year. Can’t Stop Shining and Adrenaline were personal highlights of 2022, while b-sides like DRIPPIN’s Trick And Treat and ITZY’s Free Fall were weirdly addictive in their left-field choices.

2022 Highlights:
Tempest – Can’t Stop Shining
CRAVITY – Adrenaline
DRIPPIN – Trick And Treat
ITZY – Free Fall
Kim Yohan – Selfish
Victon – Bonnie And Clyde
EXID – Leggo


edenaryEdenary continued their work with ATEEZ and Dreamcatcher this year. I don’t think either group had a standout year, but both released a ton of solid material. I’m always impressed by the breadth of the Edenary sound. I hope they experiment further in 2023.

The Bias List Producer Spotlight (Leez)

2022 Highlights:
ATEEZ – Rocky (Boxers Version), Guerrilla, Cyberpunk, WDIG (Where Do I Go), New World, The King
Dreamcatcher – Maison, Vision, Starlight, Fairytale, Together, Cherry (Real Miracle), Beauty Full, Some Love
Trendz – Vagabond


score-megatoneThe 13 team helped steer LE SSERAFIM’s successful debut year, having a hand in all of their tracks. This prevented them from working with other acts (I need another Born To Be Wild and Fanfare!), but they were certainly one of 2022’s trendiest creators.

The Bias List Producer Spotlight

2022 Highlights:
LE SSERAFIM – Fearless, Antifragile, Blue Flame, The Great Mermaid, Impurities, No Celestial


SweetuneSweetune are back! They may be working with groups most people probably haven’t heard of, but the triple punch of Nonstop, Icarus and Euratcha is the strongest the duo have sounded since 2018. We want more, guys!

The Bias List Producer Spotlight

2022 Highlights:
RoaD-B – Nonstop, Icarus
CSR – Euratcha!
Sanha – Again


cOLLAPSEDONECollapsedone makes his Bias List countdown debut! His bright, breezy pop sound crafted highlights for many girl groups this year. He was probably the most consistently great producer of the year. He’s really found his niche.

The Bias List Producer Spotlight

2022 Highlights:
Twice – Talk That Talk, Celebrate, Just Be Yourself
woo!ah! – Rollercoaster, Catch The Stars
fromis_9 – DM, Stay This Way
JO1 – With Us


NAP!ER, HAEIL, KB & NINEThough other composers collaborate here and there, this quartet seems to be the core force behind OnlyOneOf’s sound. I’ve been impressed by how diverse their 2022 work has been, from edgy, angular dance music to the melodic sentimentality of Rie’s Because. They’re one of the most exciting teams working in K-pop right now.

2022 Highlights:
OnlyOneOf – Skinz, Begin, Be Free, Be Mine, Because, Beat, Gaslighting



1Take and TAK have appeared on this countdown before, but this year we bring in Corbin under the team moniker “Newtype.” It’s their first time at number one, thanks to a standout 2022 that saw them experimenting with rock influences. Their music fueled all of Woollim Entertainment’s acts this year. Their collaboration with DRIPPIN resulted in the most exciting standouts, but everything they touched was a hit with me.

The Bias List Producer Spotlight (1Take & TAK)

2022 Highlights:
DRIPPIN – The One, Zero, Switch
Golden Child – Miracle
Rocket Punch – Flash
Kwon Eunbi – Glitch, Croquis
Stray Kids – Give Me Your TMI
Victon – Virus
WEi – Moonlight


10 thoughts on “The Top 10 K-Pop Producers of 2022

  1. I’ve been wondering who were the producers and songwriters behind OnlyOneOf’s Underground Idol series – whether it was the same team for all of them, or different ‘hired hands’ for each track. Nice to know there’s a consistency in the writing and production end. In a year of exciting rookie debuts, my top discovery of the year is OnlyOneOf. Like you wrote elsewhere, they’ll probably not get big, and rather stay an art-Kpop band (is this a new genre they’re pioneering?), and that’s pretty exciting to me.

    Liked by 2 people

  2. Wow! Vagabond was worked on by Edenary?! I didn’t know that and I find this hilarious because the first time I heard it the first thought I had was that this is a jacked up version of Vision! 😂 Trust Edenary to use a distinct sound in multiple songs in an year and also with one for a gg and another for a bg! Last year we had Because and Deja Vu as sound twins and this time we have Vision and Vagabond! 🙃

    I don’t follow producers much but I do enjoy knowing interesting connections and patterns! Edenary is probably the only team I end up accidentally recognising by vibes alone! XD


  3. I’d like to add Viviz’ “Dance” to MonoTree’s list. Some dismiss it as a bland token closer ballad, but I think it has a beautifully subdued and delicate melancholy to it that feels pretty fresh for Viviz.


  4. Pingback: The Top 10 K-Pop Producers of 2022 - Rapgurus

  5. DRIPPIN is one of the few 4th gen boy groups I often give a pass for being “by-the-numbers”, now I know why! Both of their title tracks this year have much more interesting production than their peers’ offerings, Zero especially, with its guitar-driven dance break. As per usual, Woollim kills in the production department.

    Liked by 1 person

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.