Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. It’s confounding when the best singles are unleashed upon the world … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Coach & … Continue reading
As important as any other k-pop ingredient, 2017’s choreography deserves spotlight. From catchy point dances to complex formations, this year had plenty of striking performances to offer. Here are the very best: + Make sure to check out the rest of the year-end countdowns here! 10. BTS – NOT TODAY The army of back-up dancers … Continue reading
The Bias List‘s end of the year countdowns officially kick off tomorrow, and I’m starting with the big one. The first ten selections of my Top 50 Singles of 2017 will be unveiled on Monday, with ten more each weekday until the number one song is revealed on Friday. After that, I’ll be looking at … Continue reading
I felt very much in the minority when it came to Taemin’s Move album back in October. So many raved about his shifting musical style and the cohesive mood that ran through the material. And I hear that. But too often the songs felt like a study in a trend-focused r&b vibe without a strong … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Daniel Caesar … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2017 Overall Thoughts October matched February with 2017’s highest cumulative rating thus far, and I’m not … Continue reading
