2018 was a fantastic year when it came to album tracks. In fact, many of them were stronger (and more interesting) than their title track counterparts. This makes for a very competitive top 40 list, as well as a host of honorable mentions. Honestly, I could’ve tripled the amount of honorable mentions and still had … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2018 Overall Thoughts November is always packed with comebacks, but rarely have we seen one … Continue reading
When I think of Taemin as a soloist, I often want to give him a “Korean Michael Jackson” sort of label. But, when it comes to title tracks his music has often been more subdued than that comparison warrants. This is especially true in Japan, where both of his previous singles were lyrical, mid-tempo works … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. In one of the week’s best surprises, Taemin’s new Japanese album … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. It’s confounding when the best singles are unleashed upon the world … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Coach & … Continue reading
As important as any other k-pop ingredient, 2017’s choreography deserves spotlight. From catchy point dances to complex formations, this year had plenty of striking performances to offer. Here are the very best: + Make sure to check out the rest of the year-end countdowns here! 10. BTS – NOT TODAY The army of back-up dancers … Continue reading
The Bias List‘s end of the year countdowns officially kick off tomorrow, and I’m starting with the big one. The first ten selections of my Top 50 Singles of 2017 will be unveiled on Monday, with ten more each weekday until the number one song is revealed on Friday. After that, I’ll be looking at … Continue reading
I felt very much in the minority when it came to Taemin’s Move album back in October. So many raved about his shifting musical style and the cohesive mood that ran through the material. And I hear that. But too often the songs felt like a study in a trend-focused r&b vibe without a strong … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Daniel Caesar … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2017 Overall Thoughts October matched February with 2017’s highest cumulative rating thus far, and I’m not … Continue reading
Taemin’s Press It was my favorite album of last year, so this comeback arrives with much anticipation (especially since it was originally confirmed for an August release). One of the reasons I gravitate to his solo music is that he pulls influence from the kind of classic, larger-than-life performers who simply don’t exist any more. … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. ANDREW CHOI … Continue reading
Shinee‘s Taemin has long been one of k-pop’s most arresting performers, and Japan has taken note of that as well. Last summer, he launched his solo j-pop career with the captivating Sayonara Hitori, which was later remade into Korean single Goodbye. For his 2017 follow-up, he hasn’t strayed too far from that sound, taking things … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. THE STEREOTYPES … Continue reading
Shinee are one of the big ones. Not only are they a part of my top three k-pop groups of all time, but they’re just one of those groups that instantly come to mind when I think the word “k-pop.” They’ve covered so much ground during their career, and really pushed the genre’s boundaries while … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. RYAN S. … Continue reading
The first thing that was immediately apparent when watching this year’s KBS Gayo Daechukje was that, rather than opting for the biggest stage possible like last year, the producers chose to go more intimate (like back in 2013). This resulted in a very different show than last year, filled with idol interactions and interviews (most … Continue reading
Wrapping up the end of year countdowns, it’s time to delve deeper into the albums 2016 gave us. Among hundreds and hundreds of tracks released this year (and last December!), here are forty of the absolute best. PART ONE HERE + Make sure to check out the rest of the year-end countdowns here! 20. UP10TION – STUCK … Continue reading
The Bias List is a k-pop site first and foremost, but I’m always on the lookout for new j-pop as well. And though I can count myself as somewhat of an authority on Korean entertainment and idol groups, my knowledge of their Japanese counterparts is much more limited. Add to that the fact that j-pop … Continue reading
