I know that 99% of my readers are K-pop fans and likely have little interest in the goings on of Johnny’s & Associates, but I’m a big fan of the agency and there’s so much to write about them – particularly in 2022. My thoughts on Johnny’s are a little muddled this year, so rather … Continue reading
If you were to map my musical DNA, a sizable portion would be indebted to 90’s J-pop. To me, this is a truly magical time in music, but it’s rarely discussed or shared outside of Japan. Being an aficionado of certain sounds within this era, I’ve tracked down hundreds of highlights over the years. And … Continue reading
I often write about musical trends on The Bias List, and it’s rarely in a positive light. But, today I want to zero in on one of my favorite trends to ever sweep pop music. We’re going back decades for this one, as I attempt to compose a love letter of sorts, written to one … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2019 Overall Thoughts Last year, January bucked expectations and became my favorite musical month of … Continue reading
J-pop’s enduring tie with anime has helped it retain a sense of bombast when other music markets have moved in more subdued directions. V6’s 50th (!) single is also the latest theme for long-running anime One Piece, and sounds as big and adventurous as that series. Add to that some classic, over-the-top Johnny’s Entertainment sparkle … Continue reading
V6 are the longest-running group still releasing music under j-pop agency Johnny’s Entertainment. Debuting all the way back in 1995, they’ve tackled almost every genre imaginable. And refreshingly, the group hasn’t allowed their age to drive their sound towards adult contemporary schlockiness. In fact, it feels like their team is taking the exact opposite approach … Continue reading
The Bias List // K-Pop Reviews & Discussion 