At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2025 Overall Thoughts We’ve hit the rare (?) double-header in K-pop with two back-to-back underwhelming … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
WOODZ surprise-released an aggressive rock stomper back in July — shortly after returning from his military enlistment. He’s clearly ready to strike while the iron of his career is hot, and I love that approach. Today, he’s returned with a more fully fleshed out visual and a song whose emotive sound is likely to appeal … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Mandatory military enlistment can often be a big hurdle in a male idol’s career, but WOODZ has seen his popularity skyrocket during the time he was serving. I can’t remember such a huge enlistment-era glow-up happening before, and WOODZ seems eager to capitalize on the surge. Ahead of a new album, he’s released new song … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2023 Overall Thoughts This December round-up always feels more like a formality than a need. … Continue reading
Each year, this countdown becomes more difficult to compile. Increasingly, K-pop songwriting has become a team activity. This makes it hard to suss out who exactly is responsible for what, and it also tends to flatten musical perspective and quirk. Even so, I’ve combed through the credits of my favorite 2023 music to find ten … Continue reading
One of the unique features of The Bias List is its “buried treasure” write-ups. I try my hardest to comb through every major K-pop album released each year and when a song catches my ear I highlight it on the blog. This countdown is an encapsulation of those write-ups, ranking my top 40 b-sides and … Continue reading
By now, Bias List readers know that I wasn’t thrilled with this year in K-pop, and part of that rests on the strength (or lack thereof) of albums. I could barely find any full K-pop albums I loved this year, meaning the structure of this countdown has changed a bit. I still think it’s unfair … Continue reading
Korea’s mandatory military conscription seems like it’s hitting K-pop especially hard at the moment, with soloist WOODZ the latest to announce an impending hiatus. Before he fulfils his service, he’s gifted fans with a pair of new songs. It’s easy to think of this work as an extension of his excellent album OO-LI, fully embracing … Continue reading
To be honest, there haven’t been many K-pop albums in 2023 that I’ve played more than a couple times through. Similar to my singles list yesterday, nearly all of these picks come with some qualifiers. However, there are a more than a few gems to uncover. *As usual, albums must have at least four full … Continue reading
It’s been a long wait between February’s pre-release Abyss and this new Woodz album. His albums have become increasingly rock-focused, unveiling an artist with a unique vision. He rarely promotes the strongest material as title tracks, so I’m eager to dive into the b-sides. I’m quite surprised Journey was chosen as the single this time … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2023 Overall Thoughts I hate to say it, but my interest in K-pop is kind … Continue reading
Woodz hasn’t yet announced the date of his new album, but he teases it today with pre-release single Abyss (심연). In this case, a pre-release offers the chance to showcase something a little softer than a traditional K-pop title track. Abyss maintains the rock edge he’s been pursuing for some time while muting the energy … Continue reading
Yesterday, I struck a disappointed note when rounding up this year’s strongest singles, and this albums list is going to be quite similar. 2022 has delivered some decent albums so far, but nothing close to a My Name/City Of ONF, Don’t Call Me/Atlantis, YES, Summer Queen, Gatcha or The Chaos Chapter: Freeze. In fact, I’m … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2022 Overall Thoughts So… we’re almost halfway through 2022 and…. hmmm. Compared to the songs … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I wouldn’t call Woodz’s new album … Continue reading
With each new album, Woodz has leaned harder into rock music. It seems to be a burgeoning trend in K-pop, and he’s uniquely positioned to seize upon it. His gritty, expressive vocal practically begs for equally-passionate guitar riffs, and his natural swagger sells the rock attitude – a vital component to make this genre feel … Continue reading
I didn’t plan on making this post, but as I wrapped up the last of my K-pop specific countdowns for this year, I realized it would be fun to compile them together and see which overall comebacks came out on top. After all, a K-pop comeback is more than just the title song. So, I … Continue reading
The Bias List // K-Pop Reviews & Discussion 