Twice now, I’ve underestimated Treasure’s title tracks. Though Boy and I Love You each earned a “good” rating on this blog, both quickly grew on me despite some of my quibbles. This hindsight leads me to approach new single MMM (음) with a different perspective. Yet, just as I’m poised to embrace another jarring dance … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2020 Overall Thoughts After a fantastic September, October was another strong month. And, it was … Continue reading
Mino made his official solo debut back in 2018, though he’s been releasing solo music since Winner’s debut in 2014. I still consider his I’m Him an underrated gem. But overall, he and I are on two different planets, musically. I appreciated the ambition and creativity of 2018’s Fiancé, but didn’t have much urge to … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! December … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! November … Continue reading
It’s been over a year since AKMU’s last comeback, and that song is still sitting comfortably on the Korea charts. No matter what they do, this brother-sister pair is popular. So, it makes sense to branch out to solo careers. And though Lee Suhyun’s Alien is composed by her brother Chanhyuk, its dancefloor-ready sound is … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! September … Continue reading
Over the past few years, BLACKPINK singles have devolved into a clear formula. Now, formulas aren’t inherently bad, but when you’re only releasing a handful of tracks and they all start to sound the same, it doesn’t make for a very interesting discography. However, after four years of inconsistent promotions, the girls finally have a … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2020 Overall Thoughts Back in late winter, my reviews were often besieged with comments stating … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! August … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! July … Continue reading
For better or worse, YG Entertainment has spawned its own sub-genre. We’ll call it “Teddysound.” It involves high octane verses underlined by aggressive electronic beats, a second verse rap switch-up, a hollow, chant-like chorus and a tacked-on, anthemic finale. At this point, it’s unwise to expect anything different from a YG title track, so we … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! May … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2020 Overall Thoughts At the beginning of the year, one of my wishes for 2020 … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! April … Continue reading
We’ve entered the second phase of a string of comebacks supporting BLACKPINK’s upcoming album. This is not an unprecedented approach for YG Entertainment. Nearly all of the agency’s acts have been involved in a months-long blitz of singles at some point in their career. But, it’s particularly refreshing to see BLACKPINK get this spotlight, and … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! March … Continue reading
YG boy group Treasure are easily the most anticipated debut of 2020 so far. But, let’s be honest. With a few exceptions, YG Entertainment’s post-2017 material has been more successful at building hype than actually delivering on it. It’s hard to remain a dedicated fan of a hype machine when there’s no payoff. After well … Continue reading
The Bias List // K-Pop Reviews & Discussion 