The members of EXO are busy this month, as leader Suho follows D.O. with his own solo release. As has become common lately, he’s kicking off promotions with a pre-release track. Cheese keeps things in the SM family, enlisting Red Velvet’s Wendy for guest vocals. This frothy pop-rock track feels as if it would be … Continue reading
I don’t watch many audition series anymore, but I did catch the latest season of JYP’s Nizi Project last year. I chose to watch it because I find J.Y. Park a fascinating and highly entertaining TV personality, but of course I grew to like the guys of NEXZ as well. Following in NiziU’s footsteps, they’re … Continue reading
One of the most enjoyable effects of K-pop’s current Y2K trend has been the return to hip-hop beats of that era. Angsty trap hi-hats seem to be on their way out in favor of bouncier, more playful grooves. This is the hip-hop sound I grew up on, so it’s bound to offer its fair share … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
Similar to its effect in Korea, the Japanese version of Produce 101 spreads its tentacles far and wide throughout the industry. Not only do participants end up in a variety of unaffiliated groups, but the show itself spawns multiple acts. Months after the debut of winning group ME:I, the runners up have made their debut … Continue reading
Alongside their full-group comeback Maestro, Seventeen’s specialized units are also releasing music videos for their new songs. Following the hip-hop team’s LALALI comes the performance team’s Spell. My favorite unit tracks often emerge from the performance team, but given the nature of their specialty these songs also tend to benefit from an accompanying visual. Spell … Continue reading
It’s been reported that NCT’s Mark is gearing up for a solo album release in early 2025, which has to be the earliest comeback announcement (rumor) in K-pop history. Before that, he’s dropped digital single 200. It follows the experimental bent of previous track Golden Hour and embraces a new sonic palette. No one in … Continue reading
Fun K-pop stuff tends to happen on my birthday. I share the day with my all-time favorite K-pop song The Chaser, as it was released exactly twelve years ago. Then last year, rookie group The Wind made their debut on May 15th. I still question why I didn’t feature any of the b-sides from that … Continue reading
If there’s one overriding trend in K-pop marketing this year, it’s double title tracks and pre-releases. It seems like every major idol group has several promoted tracks from their newest album. IVE released HEYA several weeks ago to great success, but we all knew Accendio was lurking just around the corner to satisfy fans who … Continue reading
Yesterday’s Supernova was a fantastic return for aespa and hopes are high that their upcoming title track Armageddon will be even better. Between these two behemoths, the group has unveiled a surprise music video for album b-side Long Chat (#♥). You really have to see this video to believe it. If my review focused on … Continue reading
JYP groups have always achieved great success in Japan and that has expanded to the agency’s very own J-pop acts NiziU and NEXZ. ITZY haven’t had quite as many promotional opportunities in this market as their agency peers, but new single Algorhythm continues their push. For me, the most notable aspect about Algorhythm is its … Continue reading
I write about a ton of K-pop songs — often several a day. I have a pretty good memory for music, but there is definitely a subset of tracks I can’t recall weeks (or days… or even hours…) after hearing them. That category is growing as K-pop melodies flatten and new groups become ubiquitous. WHIB … Continue reading
I really wanted to love DXMON’s debut because their spiky red hair styling was too crazy to pass up, but both Burn Up and Spark felt like underdeveloped copies of better boy group tracks. This time, the spiky hair is gone but the eccentricities have transferred to the music. Girls, Love Boys, Love Girls (소년…소녀를 … Continue reading
ENHYPEN’s Fatal Trouble is part of a “special album” tied to their Dark Moon storyline. This series comprises music videos, webtoons and web novels. It may be lost on those of us who are casual fans, but these days every K-pop group needs to have lore and ENHYPEN’s apparently includes vampires, werewolves and blood alters. … Continue reading
ZEROBASEONE’s jubilant Sweat premiered a few weeks too early to fully capitalize on the summer season, but offered a taste of the upbeat energy the group would pursue on their new album. Title track Feel The Pop retains an upbeat sense of joy, but tempers the intensity by returning to the muted palette of their … Continue reading
As K-pop’s global popularity has increased, so has the use of samples from pop music history. A decade ago, the idea of sampling a Western pop song felt pretty rare, but there have been a number of recent hits built upon hooks from decades past. aespa’s pre-release Supernova samples Afrika Bambaataa’s 1982 classic Planet Rock, … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. tripleS’s first full album has a … Continue reading
We are now four tracks into ARTMS’s debut album and my song ratings remain fixed in the “7’s.” I’m beginning to suspect their sound may not be for me. New track Air is unlikely to overhaul that, but we’re getting a little closer! Air is underlined by a percolating beat with touches of brass and … Continue reading
The Bias List // K-Pop Reviews & Discussion 