Review

Song Review: Jihyo (Twice) – Killin’ Me Good

Jihyo (Twice) - Killin' Me GoodFollowing Nayeon last summer, Twice’s leader Jihyo has become the second member of the group to embark upon a solo career. For me, her voice has always been emblematic of Twice’s sound, making solo music an interesting prospect. Would she paint within the lines of Twice’s established style or push herself in new directions?

It turns out that Killin’ Me Good is a little of both. I could easily imagine this on a modern Twice album, especially with its insistent, r&b-flavored groove. However, there’s something a little more reserved about the execution. Jihyo drives the track forward with her vocals, easily snatching attention from the percolating instrumental. But beyond her forceful performance, much of the track borrows from the understated dance influences so popular in K-pop at the moment.

This arrangement makes melody even more important. Killin’ Me Good‘s repetitive hook is instantly memorable, but spends a lot of time spinning its wheels when it could have blossomed into something even more potent. The song is a bit of a one-trick-pony in this regard, making me wonder how it will hold up in the long run. One thing’s for sure, though: Jihyo is a stone-cold star. Future solo music is an exciting prospect, even if this feels more like a (very stylish) bunt than a home run.

Hooks 8
 Production 8
 Longevity 8
 Bias 8
 RATING 8

Grade: B-

31 thoughts on “Song Review: Jihyo (Twice) – Killin’ Me Good

  1. She has a powerful voice and her presence really did it for me . If it wasn’t Jihyo , I would’ve been bored . I like the bridge a lot . I also like the vibe she went with in the album . Probably going to be one of my favourite soloist KPOP album .

    Liked by 8 people

    • But I think she should work on her breathing. It feels as feels she needs a lot of air before she belts out her powerful vocals , which you do, but they felt too prominent that at some point while listening to the tracks that was the only thing I heard and it kind of didn’t make the listening experience nice because I had to ignore that to try and enjoy the songs

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        • Wow you can really hear every breath. Dang girl, relax a bit; you could probably have one breath/three lines instead of one/one line and be fine.

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          • Well, audible breathing is not terrible or unheard of. I mean, my main man Kyuhyun has a lot of audible breathing and he is hardly a vocal slouch. A sharp quick intake before a line. For Jihyo here, I think it sounds more labored and more frequent than it sounds like it should be for the shortness of the lines.

            qv a live live version of “At Gwanghwamun”

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  2. I have not a single objective thought about this. Jihyo did so well with this project. The video and choreography are so well done. The song is really good and she elevates it so much with her voice and stage presence. Not that I’d be objective about anything anyone in Twice is doing anyways but I love this project so much.

    Liked by 5 people

  3. Finally it’s out! I really love it. I do agree with you something about the execution might feel a little reserved. This was also the case with Set Me Free. Like Set Me Free I think this is a great track but it feels like it could have been a little more I guess. However, it’s a great song nonetheless. I love the TWICE sound. It just appeals to me. What’s most important for me is the members always sound engaged in their music.

    I love the song and I’ll often play it. I think I won’t grow tired of it because it sounds really pleasant, slick and groovy. The instrumentals and the hooks are just really good, especially in the second half of the song.

    Her vocals are great. I’m glad she mostly didn’t go too high with the vocals. I enjoy that better. She sounds really engaged.

    The “sip chomada saenggagi na, nae moseube naega nolla” part really has me hooked. It’s so good.

    I already listened to the entire EP. It’s a great EP. Jihyo was heavily involved in the writing and production process which gives it that personal touch.

    Liked by 5 people

  4. Would’ve liked a changeup in the last post chorus instead of an instrumental a 3rd time. 8/10

    But it’s Jihyo and I’m just here for her voice so 10/10 for me due to blatant bias

    Liked by 1 person

  5. Definitely could’ve used just a touch more grit in either the production or her delivery but this is still one of my favorite Twice-related releases in quite a while. I knew she’d deliver.

    Liked by 2 people

  6. this sounds like a more fleshed out version of Kill Shot from Itzy’s album, so I love the production. Agree that the melody plays it too safe but omg Jihyo completely destroyed this one. She’s one to watch.

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  7. The chorus and post-chorus sounds a little repetitive for me. For my first listening I was really expecting changes for every post chorus as the first post chorus lay back and forth, and thus I’m foresee a slightly change for the instrumental that brings to a non-stop-smooth transition between it. But turns out it still remain same as a whole.

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    • The stereotypes that shape the mind are hard to break. Many times, when I hear someone mention Twice, I keep hearing all kinds of cute high school girls in skirts rocking their morning exercises. I don’t know if any random-casual listeners listen to every single song on Twice’s albums or bother to watch all of their year-end performances.

      Liked by 1 person

  8. She’s fabulous, and geeze, I love that voice. Jihyo has always stuck out to me in a big way when I listen to Twice, and it’s nice to hear a track that is all her. The song itself is alright. Jury’s still out on whether I like it enough to add it to a playlist, but I certainly did enjoy listening to her sing it.

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  9. As others have said the chorus are a tad repetitive for my taste, but man, does she sound good, and although I don’t know if the song itself will hold up, hearing her sing it definitely hasn’t gotten old yet. I like the choice of that slightly eerie, background falsetto melody in the final chorus and I love the use of her lower register in the prechoruses.

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