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Top J-Pop Songs & Albums of 2024 (So Far)

Bias List Mid-Year Best OfWhile K-pop has been consistently above average this year, my J-pop fortunes haven’t been so bright. It’s a real turnaround from this time last year, when I was able to feature fifteen beloved tracks. The choices were more limited this time, but it’s still worth pointing out some stellar work from a few favorites.

What were your top singles and albums during the first half of 2024?


TOP SINGLES


Bullet Train (Choutokkyuu) – Steal A Kiss

I’ve been a fan of Bullet Train for nearly a decade now, but my enjoyment of their music has waxed and waned throughout the years. Steal A Kiss is a big highlight and easily the best thing their new 9-member configuration has churned out yet. (full review)


NCT Wish – Songbird

Blurring the lines between K-pop and J-pop, Songbird melds the strengths of both markets for an early summer standout. I love the energy. (full review)


One Love One Heart – Aise, Shigoku Sanzan na Bokura no Hi wo

This may be a more traditional J-pop sound for them, but still harnesses the robust melodies that make this approach so satisfying. (full review)


Queen Bee – Super Memorial

Screw the dull, saccharine fan songs. This is how you celebrate an anniversary! It’s alt-rock meets summer dance festival in the quirkiest way. (full review)


Ryugujo – Deep Wave

Ryugujo continue their run as one of the most exciting acts on the planet with this tempo-changing, genre-blending take on dance music. (full review)


SawanoHiroyuki[nZk]:TOMORROW X TOGETHER – LeveL

I’m still flabbergasted that famed producer Sawano Hiroyuki collaborated with a big-name K-pop act. The result is a thrilling burst of anime-ready energy. (full review)


TOP ALBUMS


Bullet Train (Choutokkyuu) – Just Like Bullet Train

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A collection of quirky, synth-powered bangers that keeps the energy high throughout.


Genic – N_G

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An all killer, no filler affair that sees the group taking even more creative control than usual. So many of the b-sides are stronger than most promoted singles and the vocals are stellar throughout.


Miyavi – Lost In Love

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What’s a “favorite albums” list without a little Miyavi? He continues his winning streak with this taut collection of powerful rock tracks.


One Love One Heart – Aise, Shigoku Sanzan na Bokura no Hi wo

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While much lighter and fluffier than their debut (bring back the theatrical rock sound, guys!), this is still an airtight collection of classic idol material.


Ryugujo – Deep Wave

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This album blew me away on first listen and continues to be one of my favorite things released all year. It’s a sprawling collection of sounds, held together by producer Avu-chan’s ambitious vision and Ryugujo’s go-for-broke performance. All five tracks are absolutely epic. (full album review)

7 thoughts on “Top J-Pop Songs & Albums of 2024 (So Far)

  1. my only favorites this year are deep wave and steal a kiss, only two unlike last year where there was already purple rain, magic, mr fortune, tapestry, a real man, no gravity, and panorama jet 😕

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  2. Takane No Nadeshiko – Koi wo Shitta Sekai

    AKB48 – Koi Tsunjatta

    Takane no Nadeshiko – Utsukushiku Ikiro

    One Love One Heart – Aise, Shigoku Sanzan na Bokura no Hi wo

    STU48 – Ai No Omosa

    Hitsujibungaku – Addiction

    East of Eden – This Moment

    AliA – Emotion

    Babymetal & Electric Callboy – RATATA

    Ado – Aishite x3 (cheating a bit since it was late 2023, but the LA perf is unbelievable)

    https://www.youtube.com/watch?v=HmkbBdD8044

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    • For now you have to import the physical album, but when it was released they said it would be on streaming “in the summer,” so I assume it will be available everywhere soon.

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  3. The Hiroyuki Sawano and TXT song *is* an anime opener (Solo Leveling), so it’s definitely more the anime ready. 😹 The Season 2 announcement just released has Hiroyuki Sawano back on music, so the big question will be if TXT is back in the performer slot or which K-Pop artist it will be, since chances are very high it will be one given its Korean source material, and nearly all of the Korean IP have had K-Pop artists doing the opening and closing themes, which has been a pleasant surprise. It’s also fun to hear them release songs that are a bit out of their wheelhouse for their traditional releases and in a different context than normal. It would be nice to get a second round of TXT with Sawano, but hearing him produce for another group could have great results as well. While not exactly K-Pop, NiziU is next up with an opening and ending for Tower of God S2 with a sound I definitely wouldn’t have attributed to them.

    The list keeps growing, but in recent years we’ve had offerings from Stray Kids, Enhypen, TXT (twice I believe), CIX, Jaejoong, ATEEZ, Oh My Girl, and Dreamcatcher (off the top of my head… I know there are more).

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