In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in what’s new in J-pop.
With that in mind, here’s where you come in: I’m one person with one set of musical preferences, so please embed any other new J-pop tracks you’ve enjoyed in the comments so we can get a fuller spectrum each week.
*And just like I do with my reviews, I’ll wait until full versions of songs are available before posting them in this round-up. This will mostly apply to Johnny’s groups, who still limit the majority of their YouTube uploads to shorter, edited versions.
2023 Index
2024 Index: Dec 24 – Jan 6 // Jan 7 – Jan 13 // Jan 14 – Jan 20 // Jan 21 – Jan 27 // Jan 28 – Feb 3 // Feb 4 – Feb 10 // Feb 11 – Feb 17 // Feb 18 – Feb 24 // Feb 25 – Mar 2 // Mar 3 – Mar 9 // Mar 10 – Mar 16 // Mar 17 – Mar 23 // Mar 24 – Mar 30 // Mar 31 – Apr 6 // Apr 7 – Apr 13 // Apr 14 – Apr 20 // Apr 21 – Apr 27 // Apr 28 – May 4 // May 5 – May 11 // May 12 – May 18 // May 19 – May 25 // May 26 – Jun 1 // Jun 2 – Jun 8 // Jun 9 – Jun 15 // Jun 16 – Jun 22 // Jun 23 – Jun 29 // Jun 30 – Jul 6 // Jul 7 – Jul 13 // Jul 14 – Jul 20 // Jul 21 – Jul 27 // Jul 28 – Aug 3 // Aug 4 – Aug 10 // Aug 11 – Aug 17 // Aug 18 – Aug 24 // Aug 25 – Aug 31 // Sep 1 – Sep 7 // Sep 8 – Sep 14 // Sep 15 – Sep 21
THIS WEEK: September 22 – September 28
ANGERME – Yuuyuu Kankan Gonna Be Alright!!
I really like this style of Hello Project song. It’s a lot of fun!
ATARASHII GAKKO! – Omakase
The beat is great in parts but I wish there was more consistency.
Charisma.com – Hoshizora Feeling (ft. Riyo Kurose)
This frothy dance track goes down real easy and proves that city pop doesn’t have to be overly laidback.
ClariS – Kogarashi ni Dakarete
I love this classic J-pop sound so this 80’s cover is right up my alley.
Elsee – Pow Pow
This is very K-pop-coded. Not a huge fan, but I imagine many will like it.
Exile Tribe – Akanegumo
I like the overall sound but I wish the song developed into something more than it does.
Galileo Galilei – Retry
This band keep releasing videos from their new album. This is my favorite of the ones released this week.
ICEx – Hollywood
I enjoyed their last single much more than expected, but this one’s just not as catchy.
imase & Natori – Metrocity
A solid example of this city pop style.
iScream – Kira Kira
Was this mv made by AI? The song itself is pretty good. It needs better melodies, but the production is fun.
J Soul Brothers III – Baby Don’t Cry
I selfishly wish they’d return to EDM. This is nice but a little dull.
Let Me Know – Ubu na feeling
I just discovered this band and love the retro sound.
One N’ Only – Fiesta
This really should have come out in summer, but the blast of hot energy is still appreciated today.
ORβIT – Upperside
A big improvement over their song last week. This one’s much more energetic and fun.
Perfume – Mobius (song of the week!)
I’m a week late but I finally had time to check out the new Perfume album. I really, really like it! The synths make me melt — they’re so cosmic and grand. Ima Ima Ima seems to be the track they’re promoting, but Mobius‘s dramatic sound has really caught my attention.
Phantom Siita – Hanabami
Ado’s girl group continues to chug along with another quirky (kinda spooky) track.
Queen Bee – Rhapsody (song of the week!)
Avu-chan is my favorite composer working at the moment. There’s such a sense of primal catharsis in her songwriting and performance. This is another stunner, punctuating its anthemic nature with a gut-wrenching climax.
Sakurazaka46 – I Want Tomorrow To Come (song of the week!)
This really gets going after its subdued, fake-out intro. It’s such an intense, ambitious piece of music, moving through several distinct segments while maintaining a sense of melodrama. It’s a total knockout, and the best thing they’ve released in awhile.
Uchida Maaya x Yuma Uchida – Carnival
It’s a double shot of Uchida! This is fun and super upbeat.
WANIMA – Rolling Days
A welcome blast of rock intensity.
Watwing’s Ryo & Asahi – Get Out The Way
I like the production but I wish the song was stronger.
Wild Blue – First Light (song of the week!)
I really like these guys. At first, I worried the song was a bit too subdued but it builds to some lush, compelling peaks. The production is immaculate.
This week’s old favorite:
E-Girls – Dance With Me Now (2016)
If you’re a fan of K-pop girl groups and you haven’t already checked out E-Girls’ discography, you’ve got a treasure trove waiting for you. This is just one of their great singles.
Of your favorites, on first listen, I like Wild Blue – First Light the most, the Perfume one least. The other two are almost too intense; they both sound like they belong in a music opera (a la Cats, Phantom of the Opera, some French greats like Notre Dame de Paris and Starmania). Does Japan do those? If not, maybe they should.
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iScream’s MV was unfortunately made by some AI-generation studio. Which stinks because “Kira Kira” is my favorite of this batch of three singles.
And I’m glad that E-Girls are still getting love! “Dance With Me Now” is one of my top five singles they ever released!
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iScream’s MV wasn’t made by a studio, but a single independent art director / digital artist called misato (充彗; @miiiiiii828 on SNS). According to the person, they didn’t use AI, but CG.
From what I’ve seen, they’ve worked with several other J-Pop artists before, like ExWHYZ, Aile The Shota, Awesome City Club, etc.
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Ah, I appreciate the clarification. A few fans and a headline or two I read said it was AI generated/studio and I ran with it.
It’s nice to know they’ve worked with other artists! I guess I should have said their art just isn’t my style verses what I wrote. ^^;
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No problem! Unfortunately a lot of people seemed to have jumped to conclusions due to the current “trend” of companies using AI for art, so seeing any form of digital art makes people suspicious.
I’ve noticed that there is a lot of misinformation & false presumptions present in J-Pop fandoms. I guess that can be attributed to the lack of official English news sources for J-Pop in general & translators in the fandoms.
Also personally the art style in the video wasn’t my cup of tea either, but it somehow reminded me of the music videos from the ALIAS EP by Shygirl, an artist I really like haha
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A lot of people aren’t going to really care about this, but QUEEN BEE’S Avu-chan doesn’t currently identify by any specific gender. She/her pronouns were removed from Avu-chan’s biography back in 2019.
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I care! I wasn’t aware of this. I think I assumed it was she/her pronouns because that’s what was used in 0-nen 0-kumi, but I guess they were sort of playing a character throughout most of that…
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