In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in what’s new in J-pop.
With that in mind, here’s where you come in: I’m one person with one set of musical preferences, so please embed any other new J-pop tracks you’ve enjoyed in the comments so we can get a fuller spectrum each week.
*And just like I do with my reviews, I’ll wait until full versions of songs are available before posting them in this round-up. This will mostly apply to Johnny’s groups, who still limit the majority of their YouTube uploads to shorter, edited versions.
2023-2024 Index
2025 Index: Dec 29 – Jan 11 // Jan 12 – Jan 18 // Jan 19 – Jan 25 // Jan 26 – Feb 1 // Feb 2 – Feb 8 // Feb 9 – Feb 15 // Feb 16 – Feb 22
THIS WEEK: February 23 – March 1
=LOVE – Tyoutokkyuu Tousoutyuu
Very standard chirpy girly idol pop if that’s your thing.
ICEx – Utopia (song of the week!)
I wrote about this song weeks ago and now it has an mv. It’s still one of their best tracks. I love the synths.
imase – Friends!!!
I wrote about this last week and now it has an mv.
IS:SUE – Love Myself
I like this better than their last song, but it’s still very generic.
Kyosuke Fujimaki (INI) – Pay Back
Kyosuke was the member I most supported on Produce 101 so it’s nice to hear him get a solo. The song is just okay but his voice is fantastic and it’s nice to hear something that’s not a ballad.
L.E.I. – Delete
The Rampage’s Kawamura Kazuma makes his solo rap debut. The song’s fine but not my thing at all.
LEØNAGE – Never Go Back
Decent but very generic.
Little Glee Monster – For Decades
They’re good at this uplifting, inspirational sound.
MYERA – Busy
The song isn’t quite there for me yet (it needs an actual chorus), but I hear a lot of potential. The brassy sound reminds me of mid-2010’s girl groups.
One N’ Only – Map Of The Mind
This kind of surging anthem is right up my alley, though I’ve heard much stronger.
Ooochie Koochie – Gold
The group name is more entertaining than the song.
Queen Bee – Purple
I wrote about this last week and now it has a music video. Unfortunately, it’s still not doing much for me.
Re:name – Baby Boy
Kind of chill and anthemic at the same time, weirdly. The heavy vocal warping actually works well here.
Royal Novice – Laugh Away
It’s certainly perky!
Sandaime J Soul Brothers – What Is Your Secret?
A slow burn mid-tempo for those who like that kind of thing.
SKY-HI – It’s OK
This feels more like a showcase of skill than an engaging song on its own.
SUPER★DRAGON – Dreamland
Boilerplate boy group material.
Timelesz – Rock This Party
I’m curious how they’ll fare as an eight-member group. This is not the strongest start, but I’ll try to remain optimistic. If nothing else, their digital compilation this week finally made the 10-out-of-10 classic Run available on streaming (see below)!
TM Network – Carry On The Memories
The J-pop legends return with a nostalgic ballad-with-a-beat.
UN1CON – Jump
This sounds a lot like K-pop. The chorus is like a bad version of House Of Pain’s Jump Around (which is already kind of a bad version of itself).
w-inds. – Who’s The Liar
I really like the beat but I wish the song was stronger and more melodic.
zenbukiminoseida. – Coyubi
I’ve never heard of this group before but this has potential. It looks like they’ve got quite a big catalog, too.
This week’s old favorite:
Sexy Zone/timelesz – Run (2020)
It took nearly five years, but the song of the decade is finally available on streaming!
What are Sexy Zone now called timelesz? And also, looking at the tracklist on spotify, what’s this album about? Is it a ‘hits’ collection?
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Yeah, just a selection of recent-ish singles and b-sides to get new fans interested, I guess.
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speaking of which, is there a chance you’ll also be doing a “top 50 songs of the decade so far” for the year end rankings?
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Have you heard Magic Clock by f5ve? I love it! The first exciting new j-pop release for me in a while, at least from my admitted extremely scanty j-pop listening.
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