There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” features, I can average their ratings into one mega-score and place them in a pantheon alongside other acts.
As always, this feature has some rules of its own. I’m including any “Song Review” ratings as part of this graph, including Japanese releases and collaborations with one other artist. I’m not including Buried Treasures or solo/sub-unit releases. For the ratings themselves, I’m using the most current number on this blog, so if a song was part of a “Risers and Fallers” or “Legendary Songs Inauguration” post, that’s the rating you’ll see displayed here. That means there will still be a few ratings here and there I find slightly inaccurate, but it’ll mostly reflect my up-to-date feelings.
Finally, these scores are completely subjective. Feel free to agree, disagree and argue (that’s part of the fun!), but know that this chart reflects the opinion of only one person (me).
Check out CRAXY’s placement on the ULTIMATE ARTIST RANKING page!
CRAXY: A Career In Song Ratings
The Breakdown
Highest Rated Songs
Lowest Rated Songs
Imperial Phases
None
Slump Phases
GAIA -> STUPIDZ (2021-2024)
Rating Average: 7.40
Overall Trendline:
The Bias List // K-Pop Reviews & Discussion 
They really dropped a banger debut and dipped since then 😭 but I’d personally put Gaia in the mid or high 8s, it’s a nice successor to Aria and I absolutely love the trance breakdown in the bridge, I always replay that part, which kind of helped in its longevity for me (fun fact: Gaia was my most played song in 2023, oh would I kill to hear that breakdown for the first time again). I also liked Dance With God so it’s a little higher for me. But the rest is fair.
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And where are they anyways? I wish we got a comeback, I’d love to see what they’d pull, these ladies have so much charisma, I love their live performances! But I guess they’re prolly in the same sticky situation as Pixy
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Aria rules (the MV is so lavish and fun!) and that’s about it for me.
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Debuted with a couple of bonkers song, then the agency started to take that concept too seriously, alas.
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