In a move that no one asked for, SM Entertainment is back with the second single from their virtual idol nævis. The agency seems intent on throwing money at this strange project, and I assume that’s part of a bigger goal of establishing virtual artists as a norm within the industry. After all, virtual performers … Continue reading
Hyperpop has become a driving force in electronic music, and whenever a trend takes hold you know that K-pop is lurking right around the corner, ready to pounce on it. Yves has gone full bore into the genre with her new album, crafting the kind of quirky soundscapes the internet seems to love even as … Continue reading
I’ve been attending KCON LA since 2015, so with pandemic-closures in 2020 and 2021 that makes this year my eighth time at the event. Over the years, I’ve watched it change and grow in both good and bad ways, and those changes were certainly on display this year. It was going to be difficult (impossible?) … Continue reading
Starship Entertainment’s new girl group KiiiKiii debuted earlier this year, grabbing attention with a diverse set of promoted tracks. Their memey Debut Song didn’t work for me and I found follow-ups BTG and Groundwork a little too fitful to last on my playlist, but the generic pop of I Do Me enjoyed surprising longevity. Now, … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Judging from internet rumblings, the overriding … Continue reading
The Boyz hold the distinct honor of releasing one of the best songs of the year and one of the worst. For fans of film award celebrations, that’s like being nominated for an Oscar and a Razzie in the same year. I don’t know if the group themselves realize this, but they’ve dropped a follow-up … Continue reading
Across their past few comebacks, EVNNE have carved out an upbeat pop/rock sound. This genre may not be unique among boy groups, but they pull it off well. However, it does make me wonder how fans of their debut era feel, as this is quite a change in style from club bangers like Trouble. New … Continue reading
Throughout her historic career, BoA has tried her hand at just about any K-pop sub-genre you could imagine. Having started in the industry so young, she still feels like a contemporary to many of this era’s groups despite being one of K-pop’s most respected elder stateswomen. New title track Crazier is her first in over … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
TXT’s new (full) album weighs in at eight tracks and a paltry twenty-one minutes. This brevity isn’t unique to TXT and I don’t mean to call them out specifically, but it’s representative of choices the K-pop industry is currently making. So much effort seems to go into everything surrounding the music, even as the actual … Continue reading
TXT’s new (full) album weighs in at eight tracks and a paltry twenty-one minutes. This brevity isn’t unique to TXT and I don’t mean to call them out specifically, but it’s representative of choices the K-pop industry is currently making. So much effort seems to go into everything surrounding the music, even as the actual … Continue reading
Say My Name debuted last year as the first idol group on Kim Jaejoong’s agency iNKODE. That debut didn’t do anything for me, but their follow-up ShaLala showed promise. Now, it’s time for them to take on a summer concept with new single iLy, which ambitiously interpolates Frankie Valli’s iconic 1967 classic Can’t Take My … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2025 Overall Thoughts In the context of this year, the past two months have been … Continue reading
I really enjoy Close Your Eyes’ recent title track Snowy Summer, but when I think about it the song is probably my least favorite on their new mini album. I already wrote about b-side You, knowing full well that album opener Paint Candy would eventually be promoted as a double title track. Now, it’s been … Continue reading
TXT’s new (full) album weighs in at eight tracks and a paltry twenty-one minutes. This brevity isn’t unique to TXT and I don’t mean to call them out specifically, but it’s representative of choices the K-pop industry is currently making. So much effort seems to go into everything surrounding the music, even as the actual … Continue reading
Ahead of his new album, iKON’s Jay (aka: Jinhwan) pre-released We Can’t Explain last week. That song didn’t do much for me, but title track Obey promised edgier sounds. Obey certainly has some ideas, but the way they’re executed isn’t very satisfying. The track starts promisingly enough, establishing a moody build toward an anticipated payoff. … Continue reading
ICHILLIN’ pre-released their song Glass Heart at the beginning of the month, but without a music video it never made its way onto this blog. Now, they’re back with that song’s attached mini album and title track XL (Extra Love). In the past, I’ve given credit to this group for bucking trends and offering sounds … Continue reading
“XngHan & Xoul” may not be a familiar name yet, but “RIIZE’s Seunghan” certainly is. Seunghan debuted with SM Entertainment’s RIIZE in 2023 but was forced out of the group soonafter for insanely ridiculous reasons. For a moment, it seemed as if he would re-join their ranks, but fan toxicity caused him to debut as … Continue reading
The fact that I even felt the need to post a notice like this is testament to how regimented I am with my blogging schedule. I don’t skip a day, and generally post at the same time each day. I know this has become an expectation/ritual for some of you as it has been for … Continue reading
The Bias List // K-Pop Reviews & Discussion 