EPEX are ready to drop their third (!) full album next week, but before that they’ve returned with pre-release Picasso (피카소). EPEX aside, July has been a pretty strong month for K-pop so far. Sure, there haven’t been a ton of awesome 9+ rated tracks, but there haven’t been many outright clunkers either. I mention … Continue reading
Earlier this year, STAYC found their dancefloor groove with the addictive Bebe. Though that song didn’t totally click with me initially, it gradually grew into one of my most-played tracks of the year. With new summer single I Want It, they group keeps the energy high with an early-2010’s EDM twist. As soon as I … Continue reading
TXT’s music has changed so much since their debut in 2019. Artistic growth should be expected and applauded, but sometimes I cast my mind back to their Crown days and remember how incredibly excited I was about the group and their quirky synthpop style. Since then, they’ve explored almost every genre you can imagine and … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
Last time we had a Boys Planet, I swore I wasn’t going to do any sort of recap but ended up doing a truncated version anyway. I intend to do the same for this season, though I’ll warn in advance that there will be times when the post will be delayed by a few days … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Of all possible K-pop artists, I … Continue reading
In my review of 1VERSE’s pre-release Multiverse, I described how I became a fast and fervent fan of the group thanks to their YouTube content. Hopefully some of you followed that path as well, and if you did today is a big day because it marks the group’s official debut. While Multiverse offered a sweet, … Continue reading
SM Entertainment has been on a roll lately with their boy group albums, though they’ve also struggled to pick the best songs to promote as title tracks. I’m hoping that might be the case with WayV as well, especially since their albums tend to hold many buried treasures. New title Big Bands is bolstered by … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Earlier this week, I was lukewarm … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. SM Entertainment has been on a … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. At this point, it seems as … Continue reading
We haven’t had a Korean comeback from IVE since February, but their Rebel Heart has remained on Korean charts since then and new mega-hit hit single Golden (from the K-pop Demon Hunters soundtrack) has been widely compared to IVE’s past hits. In other words, the group hasn’t exactly been absent from public consciousness. Now, they’re … Continue reading
Not only is it a busy day for K-pop comebacks, but we’ve got a few Japanese releases as well. xikers have already made their Japanese debut and are back with the poppy rush of second single Up All Night. This group’s sound has been all over the place, but I tend to enjoy their songs … Continue reading
Just a day after her fellow Sistar member Hyolyn released a new single, Soyou is back with new music of her own. Two summers ago, she carried on Sistar’s sonic legacy with the excellent Aloha, but like Hyolyn she’s decided to explore different summer sounds with PDA. PDA feels much more indebted to the early … Continue reading
Given Mystic Story’s track record, their first boy group ARrC’s material hasn’t been as quirky as I would have thought. So far, their sound hinges largely on old-school hip-hop, which isn’t a unique touchstone when it comes to K-pop’s boy bands. New single Awesome continues this trend with a few early 00s influences thrown in … Continue reading
Girl Group ifeye debuted earlier this year with the sprightly Nerdy. That song boasted a great chorus that was undercut by the airy, subdued production style that’s become so popular with this generation’s girl groups. With new comeback R U OK?, the girls make a sonic turn toward a more percussive summer sound. R U … Continue reading
Throughout their career, Purple Kiss have waffled between sounds and concepts with varied success. Their music hasn’t quite caught on in the way I would have thought despite the group being very talented. This uncertain vibe carries through to new single DOREMI, which feels like their least notable release yet. DOREMI is a stately mid-tempo, … Continue reading
Hyoyeon from SNSD has developed a nice solo career as a DJ/performer, though SM Entertainment has yet to give her an actual album to flex her skills. I guess full/mini albums aren’t as common in dance music as in other genres, but if you were to string all her prior tracks together you’d have a … Continue reading
The Bias List // K-Pop Reviews & Discussion 