The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
It’s been about a year since I last wrote about girl group VVUP, though I realize I mixed them up with the newly debuted VVS in my mind, assuming they were one and the same. That’s what your insistent acronyms do to us, K-pop! That’s also what forgettable music does, as I can’t remember a … Continue reading
Boy group Omega X has had a tough go of it, wrangling free from an abusive agency before briefly trying their hands at self-management. Now, they’re with new agency IPQ and seem to be stuck in a hiatus of sorts. You is the first new music we’ve heard in awhile and comes courtesy of sub-unit … Continue reading
Here’s a little secret about the ratings on this blog, and it may seem counterintuitive. I rarely venture below a “6” on my overall scale, but any song that hits below this mark has a special place in my heart. In fact, I tend to “like” them more than many of the songs rated in … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. When listening to ILLIT’s new mini … Continue reading
K-pop can often be a microcosm of confusion. The newly debuted BE BOYS have nothing to do with the soon-to-premiere survival series B:MY BOYZ, but you’d be forgiven for making the easy mistake. Up until about a week ago, I assumed the two were one and the same. Instead, this rookie group is the first … Continue reading
Prior to Hearts2Hearts’ debut earlier this year, many K-pop fans were hoping they’d be branded as a new generation’s answer to SNSD. This has less to do with the girls themselves than fans’ longing for the high quality pop music and monocultural reach of SM Entertainment’s earlier generations. However, Hearts2Hearts went more niche with the … Continue reading
It’s been awhile since I last wrote about a solo GOT7 song. Many have passed me by without much fanfare and I simply let them fall by the wayside. However, Yugyeom has some decent solo work to his name and any song whose title beckons me to dance is sure to get my attention (at … Continue reading
It’s a day of pre-releases, as Mamamoo’s Moonbyul joins the fray with a teaser of her new album. She had a very strong slate of 2024 releases, including several standouts in a variety of genres. With this as a comparison, ICY BBY is a definite step down and feels much more indebted to current K-pop … Continue reading
Cube Entertainment’s rookie boy group Nowadays has struggled to gain traction in the market, but it seems the agency is finally ready to give them a push. They’ve been rebranded under the moniker “NOWZ” and given a pre-release track composed by and featuring i-dle’s Yuqi leading up to their appearance at this year’s KCON LA. … Continue reading
Dignity debuted last summer with a fun new jack swing track and an even better b-side that recalled the best of late-second-gen group Block B, landing them on two of my year-end countdowns. But like many rookie groups from small agencies, they swiftly disappeared after that. Almost a year later, they’ve finally returned with new … Continue reading
Of all the former Wanna One members, Kang Daniel continues to be the most musically prolific. Free to do his own thing, he reliably releases new albums every year. Unfortunately, most of this music hasn’t hit me with much force, tending to slide in one ear and out the other. New single Episode boasts a … Continue reading
If NewJeans first popularized the subdued style of girl group pop/R&B that currently has a stranglehold on K-pop, ILLIT took that baton and added a chirpy, ‘beep beep boop’ type of chorus that has now become just as ubiquitous. Taken together, these trends have delivered a lethal blow to my own personal taste. To put … Continue reading
Mixed gender groups are notoriously difficult for K-pop. Though many have thrived overseas (especially in Japan), the formula often results in quick disbandment in Korea — at least post-90’s. Here to buck that trend are ALLDAY PROJECT, a new five-member group from Teddy’s Black Label. Digital single Famous introduces them to the world with plenty … Continue reading
The first girl group from PSY’s P Nation is set to make their debut in about a week, but as with so many other K-pop rookies they’ve released a pre-debut taster. Bet You’ll Regret It (지금을 놓치면 분명 너 후회할 거야) showcases a possible sound for the group that takes cues from the poppier side … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
There are a handful of ultra-popular Japanese artists whose music I’ve just never connected with. Up until Hachikō, Fujii Kaze was one of those artists. I’ve enjoyed a song here and there, but never to the point where I stopped in my tracks to realize how awesome he could be as an artist. Hachikō is … Continue reading
Since their debut in 2023, n.SSign have struggled to forge their own sound, shifting genres and energy with each comeback. For me, they’ve yet to better the stunning ballad Higher, which displayed a vocal ambition we don’t often hear in K-pop these days. New single Itty Bitty introduces a bit of bombastic funk but ultimately … Continue reading
The Bias List // K-Pop Reviews & Discussion 