In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
After taking a look at K-pop’s biggest agencies, I’d like to turn my attention to the smaller (but still important) players in the K-pop game, three at a time. Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what … Continue reading
Cha Eunwoo’s recently released Saturday Preacher was the rare song review on this blog that garnered absolutely no engagement (ie: comments) from readers. That tells me something, and it’s a contrast I’ve long suspected: Cha Eunwoo the actor and variety star? Mega success. Cha Eunwoo the solo singer? Pleasant but uncompelling. It also tells me … Continue reading
This business of finally releasing your solo debut days before you enlist in the military is kind of frustrating, right? It’s like, “Here’s all this potential. Now, buh-bye!” NCT’s Jungwoo was a late addition to the group, yet his age (and of course, nationality), means he’s next in line for an enlistment hiatus. Before that, … Continue reading
Stray Kids almost always follow up their title tracks with additional videos, but this time they’ve designated Divine (신선놀음) as a double title track, complimenting the relatively subdued Do It that premiered alongside the mixtape. I’ve seen quite a few fans say they prefer this one, and it certainly leaves more of an impression. Where … Continue reading
The K-pop industry continues to churn out new generations of bands, which is refreshing in a global market where rock music isn’t often at the forefront. THE SSYNDROME are most notable through association. They’re the first act since Dreamcatcher to come from Dreamcatcher Company. Their ‘double S’ name also suggests that you must make a … Continue reading
What we now know as modern K-pop emerged at a time when new jack swing was a dominant musical force around the world. This has tied the genre to the industry ever since, with so many idol acts replicating the sound over the years. One of the earliest new jack swing successes was duo Deux, … Continue reading
Before I take a brief look at many of K-pop’s smaller agencies, there are a few that I have more to say about. Consider these “bonus” write-ups — shorter than the “big four” but longer than a paragraph or two could cover. As usual, the thoughts below are my own and aren’t privy to any … Continue reading
There have been a few acts this year who have subverted my expectations in great ways. Leading that pack are NOWZ, who rebranded from “Nowadays” earlier this year and have finally been given great material. Both Fly To The Youth and Everglow were fantastic summer highlights and converted me into a fast fan. Now, they’re … Continue reading
The year in K-pop is slowly winding down and we’re squeezing out the last few releases before eligibility for my year-end countdown closes. Girl group RESCENE found their way onto last year’s countdown with the catchy Love Attack, but I’ve struggled to connect with any of their 2025 work. Earlier this month, they dropped a … Continue reading
In keeping with their enormous group configuration, tripleS have blitzed us with an equally enormous fleet of comebacks today. “msnz” is a “universe” within tripleS (their words, not mine) with four “dimensions,” each of which has released their own song and music video. I rarely have enough stamina to write about four tracks from even … Continue reading
In keeping with their enormous group configuration, tripleS have blitzed us with an equally enormous fleet of comebacks today. “msnz” is a “universe” within tripleS (their words, not mine) with four “dimensions,” each of which has released their own song and music video. I rarely have enough stamina to write about four tracks from even … Continue reading
In keeping with their enormous group configuration, tripleS have blitzed us with an equally enormous fleet of comebacks today. “msnz” is a “universe” within tripleS (their words, not mine) with four “dimensions,” each of which has released their own song and music video. I rarely have enough stamina to write about four tracks from even … Continue reading
In keeping with their enormous group configuration, tripleS have blitzed us with an equally enormous fleet of comebacks today. “msnz” is a “universe” within tripleS (their words, not mine) with four “dimensions,” each of which has released their own song and music video. I rarely have enough stamina to write about four tracks from even … Continue reading
Whenever a group I enjoy states they’ll be releasing a song that “sounds nothing like anything we’ve done before,” I get nervous. Yes, I want groups to push outside the box and experiment with new sounds, but in K-pop “nothing like we’ve ever done before” tends to mean attempting some (bad) global trend an agency … Continue reading
Sometimes it takes a few songs for a group’s sound to totally click with me. I enjoyed ILLIT’s 2024 megahit Magnetic as much as anyone, but it wasn’t until this year’s fanciful Do The Dance that I totally understood what the group could be. Lately, their music has veered closer to third-gen groups like Lovelyz … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. NCT Dream’s Beat It Up grew … Continue reading
The Bias List // K-Pop Reviews & Discussion 