Stray Kids’ new mixtape may not be led by any official title track, but its four unit tracks will be promoted with music videos. First up is Changbin and I.N’s Burnin’ Tires, a rock-rap hybrid that borrows elements from the group’s early days while upping the intensity. Being a pre-debut fan, I have a soft … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. The Boyz’ dynamic title track VVV … Continue reading
BTS’s J-Hope is quickly making up for lost time — not that there weren’t projects and songs released during his military enlistment as well. Just two weeks after his duet with R&B crooner Miguel, he’s back with solo single Mona Lisa. This time the music is a bit more upbeat and groovy, but the song … Continue reading
Veteran K-pop act Ailee has returned with three (!) new music videos today. Looking at the tracklist of her new album, it appears MMI is the designated title track. It’s also the song with the most YouTube views at this moment so it’s the one I’ll write about today. To be honest, none of Ailee’s … Continue reading
It’s been awhile since we’ve heard from Fantasy Boys, but they made their mark on 2024 with a very fun summery EP promoted with an excellent title track. Nearly a year later, they’re back with a very different sound. Undeniable is darker and groovier, but as with many boy group songs of this nature its … Continue reading
Tempest are set to release a new mini album at the end of the month, but today they’ve unveiled the kind of for-the-fans pre-release that cobbles together behind-the-scenes footage to highlight what’s clearly more of a b-side than promoted single. In the grand scheme of pre-releases, Destiny is neither here nor there. It’s the typical … Continue reading
Rookie rock group Dragon Pony’s Pop Up impressed me last year, so much that they nearly climbed the top of my 2024 rookies list. Powerful vocals paired with strong songwriting will always appeal to me no matter the genre. Pop Up also managed to house a hook so anthemically pleasing that it became undeniable. Follow … Continue reading
After nearly a year of pre-releases, NCT’s Mark is finally scheduled to drop his debut album early next month. It’s been a long-gestating project, so I’m eager to see what he’s got in store. We don’t have to wait until April for new music, though. Pre-release +82 Pressin pairs him with bandmate Haechan. This duo … Continue reading
Debuting around this time last year, rookie girl group Candy Shop has had a hard time making their mark on the industry. With vaunted producer Brave Brothers at the helm, they should be releasing banger after banger. Sadly, their music thus far has felt like “reheated nachos” — and not in the good way. New … Continue reading
When a song hits big in K-pop, the industry tends to drive that same sound into the ground over the next few years. With aespa’s Supernova and Whiplash both major hits in 2024, it was only a matter of time before pounding club beats and spoken-word attitude lodged itself within the girl group oeuvre. STAYC’s … Continue reading
WayV’s Ten has a new mini album out later this month and — like seemingly everyone in K-pop — has teased it with a pre-release single. Pre-releases often end up being bigger hits than the actual title tracks, as artists want to come out of the gate with their strongest material first. Bambola takes a … Continue reading
There’s this K-pop sub-genre lovingly referred to as “Christian horse girl music.” Think early efforts by GFriend, Lovelyz, Oh My Girl, April and the like. If you have time, do yourself a favor and go down the YouTube rabbit hole of this music, as it encompasses much of my favorite girl group output of the … Continue reading
Despite hailing from one of K-pop’s biggest agencies, NMIXX’s ascent has been slow and steady. While their debut single polarized fans, the group has surged in popularity with each passing year and started to develop a diverse catalog of sounds. Their singles tend to be very hit or miss for me and often take some … Continue reading
The Boyz have pulled off a feat that once seemed impossible in K-pop: changing agencies with their entire roster, group name and music catalog intact. Now, they’re back with their first work under label One Hundred, presumably with greater creative control than ever. It’s interesting to learn what a group thinks their biggest strengths are, … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. As is often the case with … Continue reading
When last we heard from LE SSERAFIM, they urged us to “act like an angel and dress like crazy.” The actual song that accompanied these lyrics wasn’t nearly as boundary-pushing as its sentiment expressed, but I appreciate how the group tried to bring some campy fun to the table. New title track Hot pulls things … Continue reading
The Bias List // K-Pop Reviews & Discussion 