Debut group Kiss Of Life spent last week unveiling its members, one solo release at a time. The quality of these solos was generally high, increasing expectations for how the four would sound as a complete group. Bye My Neverland (안녕,네버랜드) is the first answer to that question, but the song fizzles more than it … Continue reading
It’s been a few years since we’ve heard from Han Seungwoo. After completing his military service, the soloist is back with the smooth R&B flavor of Dive Into. It’s a bump in energy from 2021’s sentimental See You Again, taking him back to the sounds of his debut mini album. While Dive Into is pleasant … Continue reading
Days after pre-releasing Wicked Love, Yena has made her official comeback with Hate Rodrigo. The title of this song has stirred plenty of online chatter. Is she dissing Olivia Rodrigo? Is this a loving reference? Did Olivia herself have a hand in it? I have to give it to Yena’s team. They know how to … Continue reading
With Kings of K-pop SHINee making their long-awaited return today, rookie group 8TURN’s new title track may fly under the radar. But against all odds, they’ve actually released the stronger of today’s singles. I wasn’t completely sold on their debut, but the rock crunch of Excel is a lot of fun. I’m not sure there’s … Continue reading
SHINee’s The Feeling has blossomed into an early summer highlight, buoyed by the group’s heavenly vocal blend and the song’s driving energy. I’m very thankful for its existence, and will be positioning it as the official title track in the blissful (deluded?) alternate reality I’ve constructed around SHINee’s new album. Unfortunately, the album’s actual title … Continue reading
“Hi-Fi Un!corn” is now my favorite group name of 2023. Coupled with the Lisa Frank-esque visuals of this music video, I feel like I’ve entered a retro fantasy land of Care Bears and My Little Pony. It’s definitely not what I would’ve expected from a new FNC Entertainment band. Visuals aside, Hi-Fi Un!corn debuts within … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Before making her official comeback next week, Yena has pre-released the album’s final track Wicked Love alongside a dance-heavy music video. The song is a hard swerve from the bubbly pop that’s characterized most of her solo discography so far. I’ll never complain about getting extra material, but Wicked Love doesn’t excite me about the … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. As I feared, ATEEZ’s Bouncy is … Continue reading
The full title of this song review looks like a mathematical equation, revealing the complicated nature of the sprawling tripleS project. Touch+ is a b-side track from sub-unit +(KR)ystal Eyes, featuring member Sohyun who will be part of upcoming sub-unit LOVElution. Make sense? All these parentheses and plus signs belie the fact that Touch+ is … Continue reading
Well, it was bound to happen eventually. Up until now, Kiss Of Life’s solo song rollout has been remarkably consistent, delivering slick tracks with fun references to different eras of pop music. But this being K-pop in 2023, we weren’t going to escape without some lame nursery rhyme interpolation. Haneul’s Play Love Games heavily weaves … Continue reading
LUN8’s debut mini album is pretty strong, but opening track Voyager sticks out like a sore thumb. Not only is it my least favorite song, but it sounds like it’s pulled from a completely different project than the rest of the material. I’m curious why Fantagio decided to promote it with a music video. Despite … Continue reading
It’s amazing what can be accomplished when the shackles of a big agency like YG Entertainment are thrown away. In just a couple of months, iKON members have released a full album and solo tracks/features. This is lovely to see, especially with so many years of infrequent comebacks. Lead vocalist Jay (also known as Jinhwan) … Continue reading
One of these days, Lapillus are going to release a great song that’s worthy of them. Today is not that day. It’s almost as if this group’s music has been engineered in a lab as a Bias List repellant. I haven’t enjoyed anything they’ve put out, and Who’s Next proudly continues that trend. The song … Continue reading
It’s day three of Kiss Of Life’s pre-debut advent calendar of solo videos, and today we’re introduced to the group’s leader and rapper Julie. Kitty Cat offers a more hip-hop flavored taste of their sound while sitting comfortably alongside the past two tracks. It’s becoming very clear that Kiss Of Life’s work will be well-produced. … Continue reading
Kim Jaehwan’s finally gone and done it. He’s promoting a funk song! Ever since 2019’s excellent Designer, I’ve been on his case about releasing more upbeat material. Yes, big voices are well-suited to ballads — but there is nothing better than a skilled, powerful singer flexing their skills over an equally powerful dance beat. Lucky! … Continue reading
New girl group Kiss Of Life are pulling a Loona-style rollout, revealing solo tracks from each member before the group’s title track emerges. However, they seem to be stuffing this rollout into a single week. I’ll try to write about each song, though the reviews will likely be on the shorter side. Yesterday, Natty impressed … Continue reading
While fans wait impatiently for a Korean comeback (it’s going on four-and-a-half years, now…), TVXQ are back with another Japanese single. Lime & Lemon adds to their summertime playlist, offering a shot of uptempo dance music well-suited for the season. This will always be a style that appeals to me, but it’s become its own … Continue reading
Kang Daniel’s newest album comes paired with striking Mad Max-esque visuals. SOS‘s music video is very cool, delivering high octane action even as the song trudges away underneath. Its sound continues in the vein of past singles — an alt rock/trap hybrid that feels emotional and gritty. This has become a preferred style for Kang … Continue reading
The Bias List // K-Pop Reviews & Discussion 