After a few years of immense growth, K-pop hasn’t seen all that many notable debuts so far in 2018. The industry has become more infatuated with limited run project groups and sub-units, many of which are connected to an audition or survival show. New boy group D-Crunch (short for Diamond Crunch, which sounds less perverse … Continue reading
Give me a K or J-pop song with the title “Chaser” and I’ll instantly be triggered. I’ve written at length about how I consider Infinite’s The Chaser to be the best K-pop song of all time. It’s so outstanding that they might as well retire the word “chaser” from the K-pop lexicon entirely. But here … Continue reading
After nearly two years of pre-release build-up, LOONA is finally upon us. Well, almost. favOrite is technically another pre-release, but it’s the first taste of what the entire 12-member group will sound like together. So, with all of the hype the girls have garnered since 2016, did they manage to stick the landing? Yes… and … Continue reading
Modern K-pop has always felt the need to position its male groups as edgy and badass, but the moodiness has seemed to kick into overdrive this year. Call it the BTS-effect, or the mirroring of current trends in Western pop, but for a lover of upbeat production and colorful melodies, this trend has resulted in … Continue reading
Rookie group Stray Kids released my favorite debut of the year with March’s District 9. That track positioned them as an exciting new force in K-pop, blending trendy hip-hop with a bombastic rock edge that felt unique and disruptive. It was always going to be a difficult song to follow up, so it makes sense … Continue reading
SM Entertainment’s summer drought finally comes to an end with the release of Red Velvet’s new mini album. The girls conquered the summer of 2017 with their monster hit Red Flavor, giving any new seasonal song a lot to live up to. But rather than return to Flavor producers Caesar & Loui, new single Power … Continue reading
Debuting in 2014, Laboum have slowly gained prominence through a series of stylistic shifts. Though they’ve yet to break into K-pop’s upper echelons, they’ve given us ten super-solid pop singles. Here they are, ranked up to the very best! 10. Pit-A-Pat (2014) A bubbly debut, Pit-A-Pat surges forward with percussive production and a huge chorus that … Continue reading
Monsta X have been incredibly prolific since their debut in 2015, returning with new music several times each year. And now that they’ve set their sights on the Japanese market, they’re busier than ever. Livin’ It Up is their third Japanese single in the space of only eight months, and their output is only improving … Continue reading
It’s hard to believe that Hey! Say! JUMP celebrated their tenth anniversary last year. After a decade in the industry, most pop acts begin to fade, moving on to less potent material that often feels like a retread of earlier sounds. But JUMP debuted incredibly young, with its oldest members now only in their late … Continue reading
By their very nature, ballads are difficult to write at length about. The vast majority follow a similar template, with a greater focus on performance and sentiment than novel production touches. But, when a ballad hits, it hits big. This was the case for BTOB’s late-career breakout It’s Okay, which reinvented them as a compelling … Continue reading
iKON made quite a splash when they debuted in late 2015, but 2018 has really been their coming out party. Not only was Love Scenario one of this year’s biggest hits, but its chill hip-hop sound has gone on to inform many boy group releases since. Its chorus was an earworm to end all earworms, … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2018 Overall Thoughts I’ve always seen the month of July as the pinnacle of each … Continue reading
Arashi spent much of 2017 experimenting with their sound. Whether it was the swing-inspired I’ll Be There, the symphonic and trap breakdowns of Mikan, or the eleven-and-a-half minute song suite that marked the climax of their sixteenth studio album, Japan’s biggest male group proved that their sense of adventure was not going to slow down … Continue reading
It’s hard to believe that VIXX have been a part of the K-pop landscape for six years already. That’s senior artist territory, and they continue to lead the pack with their dynamic concepts and ever-shifting genre experimentation. With this elder statesman status comes inevitable solo work. The group’s rapper, Ravi, has already released a few … Continue reading
Over the course of their young career, SF9 have tackled a number of concepts. This constant shift in sounds may make it difficult for casual listeners to get into their music, but it’s proven the group’s impressive versatility. With new single Now Or Never (질렀어), the guys are tackling a genre they call “dark pop,” … Continue reading
A collaboration between Zico and IU is like a wet dream for Korean charts. Both artists routinely see their music lodged in the top ten for weeks (sometimes months) on end, seeming to attract a wide variety of fans. So why does the prospect of this pairing leave me cold? More and more, I’ve come … Continue reading
With over 2,300 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets the … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. It’s funny. Despite Chungha embracing one of my least favorite K-pop … Continue reading
Co-ed group AAA have been dominating Japanese charts for over a decade, but their upcoming album will be their first without member Chiaki Ito. After she left the group early last year to start a family, AAA was left with a truly unique configuration — five men and one woman. Despite this uncommon gender imbalance, … Continue reading
Seungri’s new album has seemed to split opinion online, with some listeners declaring it the best full-length of the year and others feeling like its sound is outdated when thrown into the modern K-pop landscape. In many ways, the album feels like it could have been released in 2012 or 2013, and that’s precisely the … Continue reading
The Bias List // K-Pop Reviews & Discussion 