Though fellow Block B member Zico has stolen most of the thunder when it comes to solo material, Park Kyung has carved a nice little niche for himself. His style tends to be a little more conversational, focusing on sing-songy hooks and a generally unadorned blend of indie, jazz and r&b influences. He found great … Continue reading
Despite their ridiculous group name, new rookies ONF have much to live up to. They’re the newest act from WM Entertainment, home to the consistently fantastic B1A4 and burgeoning boundary-pushers Oh My Girl. The agency is known for its quirky output, raising anticipation for how ONF would sound. With debut single On/Off, the group opts for … Continue reading
Well, I suppose it had to happen eventually. After releasing a string of five outstanding singles, GFriend have returned with a song that feels dangerously close to “so-so.” Though a momentary drop in quality is inevitable for most groups, GFriend have been on such a roll these past few years. Their “powerful innocence” concept and … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2017 Overall Thoughts July is always the month I look most forward to when it comes … Continue reading
K-pop Star‘s Shannon Williams made waves earlier this year for expressing confusion over her agency’s lack of communication when it came to promotional opportunities. And in some ways, MBK Entertainment botched the release of her new mini album as well, offering very little promo and quietly debuting Hello‘s music video after the song had already … Continue reading
After School‘s Raina was on the cusp of quite a solo career a few years ago with the release of mega-successful duet A Midsummer Night’s Sweetness. But like After School itself, that momentum was blunted by a lack of actual releases to follow it up. Flash forward three years and Pledis Entertainment has given her … Continue reading
The Produce 101 rush of debuts continues with Choon Entertainment’s Longguo and Shihyun. Duos are not particularly common in k-pop, and I assume the two will eventually become part of a larger group. But for now, both performers complement each other well even if portions of their material leave something to be desired. I can’t … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Thank god for EXO-CBX. Even when EXO itself veers toward … Continue reading
Rock group Buzz has been around for over a decade, not particularly well known to international audiences but beloved in Korea for their emotive ballads. 2017 has seen plenty of ballads in k-pop, but we haven’t really had one of those big, bombastic Lim Chang Jung style belters. That dry spell has officially ended with … Continue reading
Before there was GOT7, JJ Project debuted with soon-to-be members JB and Jinyoung. Their 2012 single Bounce was a fun, uptempo party track that blended a wide assortment of genres to create an addictive burst of k-pop energy. In the years since, GOT7’s material has strayed away from the “fun” side of things to explore … Continue reading
Since terminating his contract with TVXQ, Xia Junsu has been active as part of trio JYJ and as a solo artist. Though he might be more well known for the dozens of ornate, theatrical ballads that make up the bulk of his discography, his music is also not afraid to go full avant garde. A … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. DEVINE CHANNEL … Continue reading
For as many LOONA releases as we’ve already gotten, few could be considered stereotypical girl group fare. The project has dabbled in a number of genres already, making LOONA’s eventual sound a bit of a mystery. But with member Choerry’s introduction through Love Cherry Motion, we veer much closer to the light bubblegum that fuels … Continue reading
I wasn’t sure that we’d ever get to hear Monsta X‘s version of a fun, upbeat summer single. Their album material has been relatively varied, but when it comes to singles the group has more-or-less stuck with a harder-edged hip-hop sound. This has brought them a sizable fan base, even if it doesn’t always appeal … Continue reading
Though they have yet to make major waves in Korea, Dreamcatcher have captured the imagination of many fans through their rock-infused, j-pop inspired sound. This resulted in the brilliant Chase Me last January, but I was in the minority when it came to follow-up single Good Night. I think the group is at their best … Continue reading
When The East Light debuted late last year with the giddy power pop of Holla, it felt exciting to have such a young group tackling a different sound than expected. Since then, the boys have fallen into the tropical trend, moving away from a live band style in favor of a poppier approach. This isn’t … Continue reading
My interest in new girl group P.O.P (Puzzle of Pop) went from zero to a hundred the moment I read that their title track would be produced by the Iggy/Youngbae duo. Responsible for all of GFriend’s singles and most of Astro’s, these producers gave us many of 2016’s best pop hits and easily became my … Continue reading
We’re entering the season of rookie debuts, as a multitude of new boy and girl groups are scheduled to unveil their music over the next few weeks. Leading the pack are Music Works’ first boy group MYTEEN, who have begun to build a fan-base through pre-release videos and performances. New single Amazing (어마어마하게) has already … Continue reading
Now that Queens of Summer Sistar have disbanded, much has been made about who their successors might be. So far, I’d give the 2017 crown to Red Velvet, but there are still several weeks of summer left. Riding high on the success of their Hwi Hwi comeback in April, Laboum are the latest girl group … Continue reading
Though primarily focused on a trendy (at the time) high energy dance pop, Turbo has always shown the potential for a more retro-inspired sound. Their 90’s mega-hit Twist King was entirely indebted to this nostalgic appeal, and in some ways Hot Sugar (뜨거운 설탕) feels like its successor. Of course, flash forward twenty years and … Continue reading
The Bias List // K-Pop Reviews & Discussion 