Back in 2019, ITZY’s debut ushered in a wave of confident, attitude-forward girl group tracks. They’ve since shifted their style in a number of ways, which was evident on the couldn’t-be-more-different-from-each-other Gold and Imaginary Friend last year. It feels like they’ve only struck the tip of the iceberg when it comes to the genres they … Continue reading
HYBE has made an aggressive push into the Japanese market over the past few years, both debuting their own J-pop groups and deploying their Korean acts with original material. The latest to join this push is LE SSERAFIM, who previously released Japanese-language versions of their Korean hits. Different marks their first original J-pop track and … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
With over 5,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
With over 5,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
It’s been a very slow week in K-pop, so a surprise pre-release from ILLIT saves me from digging in the archives and writing about something old today. Their comeback is slated for later this month with title track Do The Dance, but prior to that they’ve debuted the “brand film” for album opener Little Monster. … Continue reading
Compared to other HYBE groups, I’ve had a harder time getting into the groove of ENHYPEN’s discography. Each time they release a song that I love, they’ll follow it with two or three that leave me cold. That track record doesn’t exactly build confidence in new material, but I recognize how popular the group has … Continue reading
It’s been eight years since WM Entertainment debuted its latest group, and a full decade since their last girl group. Thus far, it’s been quality over quantity for this agency. B1A4, Oh My Girl and ONF all have discographies that are pretty bulletproof. Now, it’s time for another act to join this impressive roster. Enter … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TWS’s first Japanese single Hajimemashite (Nice … Continue reading
Baekhyun has done enough amazing things with EXO to warrant a steady stream of write-ups on this blog, even if his solo music has rarely connected with me. I hate coming into a song knowing that I probably won’t like it, though I’m always open (and hoping) to having my mind changed. R&B is a … Continue reading
Girl group HITGS (the “Hip, Innocent, Teenager, Girls, Story”) debuted just over a month ago with the frothy but forgettable Sourpatch, and have made a quick return with new digital single Gross. Think of it as a much more subdued companion to Katseye’s Gnarly, in which a girl group uses a single adjective to comment … Continue reading
If you would have asked me a few years ago what I thought about HYBE Corporation, I would’ve had a few choice words to share with you. But somehow, many of my favorite new K-pop acts have now emerged from HYBE. And given &TEAM’s excellent musical track record, I was eager to see what the … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2025 Overall Thoughts The other day, I commented on Twitter/X that K-pop was struggling to … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
While Astro’s Dream Pt.1 was never specifically promoted as a “summer” album, it’s one of the K-pop projects I most closely associate with the season and was released just before one of K-pop’s most epic summers in 2017. More importantly, it’s incredibly strong and represents a bubbly, ultra-melodic pop sound we just don’t hear much … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
It’s an uphill battle for new acts from small-to-medium sized agencies, requiring most to deliver eye-raising material that seizes the K-pop conversation. Rather than focus on legitimately great music, many of these smaller acts opt for gimmicks or — more recently — bold statements designed to grab listeners’ attention. The title of KIIRAS’s pre-release certainly … Continue reading
Indie K-pop artists are a dime a dozen, but the vast majority make music that sounds indie. Small ambition, subdued energy, etc. You know… coffeehouse vibes. Every once and awhile someone comes along with a bigger vision — often emerging from unexpected places. That’s happened here with Fairy Mai, once part of girl group eite … Continue reading
The Bias List // K-Pop Reviews & Discussion 