It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
Over the past few months, G-Dragon’s variety series Good Day has aired globally on Disney+ alongside its Korean terrestrial broadcast. I watched the first episode, but as much as I enjoy G-Dragon as an artist I find his current iteration quite uncomfortable as a TV personality. But even from one episode, I got the gist … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
As usual, SBS’s year-end festival falls on Christmas day. Because of this, the themes have been getting more and more holiday-focused with each passing year. Everyone and their mother performed a “Christmas version” of their songs tonight, but you don’t get to call something a “Christmas version” just because you throw sleigh bells on the … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
During this lull in new K-pop releases, I decided to go back and watch 2012’s MBC Gayo Daejun – the end-of-year extravaganza that ushered in 2013. Not only was it a euphoric time capsule of excellent music and stunning performances, but it brought to mind many thoughts after twelve years of K-pop fandom. Here were … Continue reading
During this summer of second-gen comebacks, 2NE1’s Sandara Park fits right in. She’s released solo material before, but never a Korean album. (She did record a mini album in the Philippines before debut, though!) New single Festival sees her aiming toward summer sounds, building its chorus around an interpolation of Uhm Jung Hwa’s hit of … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
After nearly a decade of anticipation, CL’s first full album has finally arrived! If I used gifs to illustrate my point, I’d paste a standing ovation after this sentence. Seriously, give the lady some applause. The industry has not always been kind to her, but she’s persisted and released three singles in 2021. Not all … Continue reading
Several weeks after pre-release Spicy, CL is back with the second taste of her upcoming album Alpha. Lover Like Me was penned by English singer/songwriter Anne-Marie, who has had tremendous success in Korea with her song 2002. I’m not sure what it is that made 2002 such a massive hit in the country, but it’s … Continue reading
Rather than a series of comebacks, CL’s solo career has felt like a constant re-debut, trying to get things off the ground after too many unfortunate setbacks. It’s hard to believe her first solo release dropped more than eight years ago. Since then, we’ve seen the disbandment of 2NE1 and an ill-fated attempt to break … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! September … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! July … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! May … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! March … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! December … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! October … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! September … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! February … Continue reading
The Bias List // K-Pop Reviews & Discussion 