At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
Recently, idol groups spawned by survival series have subverted corporate expectations and developed signature sounds that give them a unique identity in the K-pop market. AHOF, Close Your Eyes and NouerA all come to mind as great examples. However, CJ ENM and their label WakeOne Entertainment are as corporate as it gets and watching season … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
After taking a look at K-pop’s biggest agencies, I’d like to turn my attention to the smaller (but still important) players in the K-pop game, three at a time. Disclaimer: As with my write-ups on K-Pop’s biggest agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what … Continue reading
To my great continual regret, I “recapped” the entirety of this year’s Boys II Planet, though these write-ups became shorter and less enthused as the series went on. If you want to read the perspective of someone losing interest in real time, I guess I’d recommend you check them out. Otherwise, you’re probably safe to … Continue reading
The Bias List // K-Pop Reviews & Discussion 