At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
Rookies AtHeart returned with a dull pre-release last month, making me hope they’d saved their best material for their album’s title track. Butterfly Doors offers a slightly different taste, but sadly I remain underwhelmed by the music. This song marries several youthful elements (nursery rhyme melodies in the verses — icy, music box-esque synth) with … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
AtHeart debuted last summer with Plot Twist, whose title of course reminds me of another iconic K-pop song of recent years. Unfortunately, their sound was less iconic, echoing many current girl group trends. It’s been a too-long hiatus between releases for such a new act, so I was eager to see if this break resulted … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Given TWS’s incredible success last year, there are worst song titles to debut with than “Plot Twist“! AtHeart have used the familiar title for their first foray into the industry, though they teased us with a pre-debut earlier this year. The group hails from Titan Content — an American based company that seems to have … Continue reading
The Bias List // K-Pop Reviews & Discussion 