This blog gets a bit confusing when dealing with artists like BamBam. Nothing about new single Wondering is technically “K-pop,” as the song is performed in Thai and English. However, BamBam made his name with popular K-pop group GOT7 so I tend to consider him “part of the family,” if you will. Regardless of where … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
GOT7’s BamBam has explored a variety of sounds during his solo career — some more successful than others. He has a new EP on the horizon and today we get the first taste of his first work under a new agency. Dancing By Myself is well-positioned for global appeal, sung mostly in English and harnessing … Continue reading
GOT7’s members have gone on to enjoy a variety of solo careers, exploring various fields and markets. Among them, BamBam has had an interesting — if unbalanced — discography. New single Last Parade throws that sense of inconsistency into a single song. It’s at once thrilling and frustrating. Opening with the fanfare of a choir, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2023 Overall Thoughts I’ve been complaining about K-pop a lot this year, but April was … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2023 Overall Thoughts So… when does the good stuff start? Seriously, we had yet another … Continue reading
I hadn’t listened to any teasers of BamBam’s new single, so I wasn’t sure if I should expect another mid-tempo trap-pop ditty or something a bit more robust. It turns out Sour & Sweet surprised me in a good way by harnessing current synthwave trends to create a propulsive sound that hinges around a very … Continue reading
I didn’t love BamBam’s solo debut, but his recent duet with Red Velvet’s Seulgi offered a different avenue for his talent. It turns out moody sounds fit him quite well, and that approach continues on new single Slow Mo. The track retains plenty of hip-hop influences, but they’re in service to a gentle, atmospheric melody. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2021 Overall Thoughts After spending the past few weeks counting down everything under the sun … Continue reading
Ahead of a new 2022 project, BamBam is closing out 2021 with pre-release single Who Are You. The song has already garnered attention thanks to a guest feature from Red Velvet’s Seulgi, but it deserves praise on its own merits as well. After a solo debut that felt a little throwaway, Who Are You takes … Continue reading
I’ve written way more about GOT7 this year than I’d anticipated. And, this only includes one review of a full-group song. In the past few weeks, we’ve seen releases from Jackson, Jay B, Yugyeom and now BamBam. Apart from Jackson, all members have stuck to a similar trap pop style, with varying degrees of success. … Continue reading
The Bias List // K-Pop Reviews & Discussion 