K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
The line between “idol” and “artist” can be pretty thin, especially when artists start enlisting idols to feature in their music videos. I’ve never written about a solo BiBi song before, but given her ascent to the top of the digital charts it’s probably time I started paying more attention. New single Sugar Rush will … Continue reading
While I don’t incorporate a song’s video into the reviews on this blog, I’m definitely not immune to a striking visual. Music videos are a vital part of the industry, and it’s time to celebrate my favorites of 2022. 2022 YEAR-END MASTERPOST Honorable Mentions: ENHYPEN – Blessed-Cursed Onew – Dice IVE – After Like PSY … Continue reading
To be honest, you may or may not see recaps for future end-of-year festivals this December. I’d like to write about all three big nights if possible, but over the past few years these events have become so boring and predictable. Basically, acts emerge with some dramatic intro (swords, pyrotechnics, flags, etc) before performing a … Continue reading
I didn’t follow IZ*ONE to the extent where I’d know specific details about each member, but as they embark upon the next stage of their careers it’s fun seeing which direction their music takes. If judging purely by post-IZ*ONE debuts, I’d put Choi Yena in first place so far. Smiley is a ton of fluffy … Continue reading
Hyoyeon’s solo reinvention as “HYO” (DJ HYO, if you’re nasty) has been an uneven ride so far. She’s delivered a few stellar tracks (Punk Right Now, Badster), while others have relied more of guest collaborators. Second pairs her with buzzy soloist BIBI and opts for a percussive sound targeted at summer. While many of the … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2019 Overall Thoughts While November was not the blockbuster month that October was, it offered … Continue reading
The Bias List // K-Pop Reviews & Discussion 