We’ve reached the point in BLACKPINK’s career where we’re literally applauding them for releasing anything. It’s certainly not fans’ fault. They’ve been starved for new content for years now, making just the idea of a BLACKPINK song more exciting than an actual BLACKPINK song. This scarce promotion might serve to build hype and the allure … Continue reading
Yeah, yeah, I know. This article’s title is problematic in all sorts of ways. But, hear me out. Obviously, Lady Gaga isn’t a K-pop idol, nor does her career follow the traditional K-pop process. But, I would argue that her ascendance influenced the idol industry to a great degree. Back in the mid-2000’s, pop music … Continue reading
After taking a look at SM Entertainment over the long weekend, it’s time to move onto an agency with very different activity in 2019. Prepare yourselves, friends. It’s YG Entertainment. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things like profits and stock value. … Continue reading
As I impatiently wait for some of my favorite acts to make long-overdue comebacks, it made me wonder how long the longest K-pop hiatuses have been. So, I did some research! The following statistics are rounded by month rather than specific days, unless there was a tie between two acts. I’ve kept my focus to … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Though I never featured it as a Buried Treasure, I felt … Continue reading
From late-2016 to 2017, BLACKPINK seemed destined to fill the huge hole left behind by fellow YG Entertainment artists 2NE1. Both Playing With Fire and As If It’s Your Last were excellent pop songs, hampered only by a lack of b-side material to go along with them. Last year’s mega-hit Ddu-Du Ddu-Du took the girls … Continue reading
Just like last year, my K-pop Christmas present is the kick-off to the year-end music festivals. First up is SBS’s Gayo Daejun, which is typically notable for its star-studded, primarily big-name line-up that includes artists from YG Entertainment. Coming in, I wasn’t all that excited about the year’s Gayo because most of my favorite songs … Continue reading
2018 was a fantastic year when it came to album tracks. In fact, many of them were stronger (and more interesting) than their title track counterparts. This makes for a very competitive top 40 list, as well as a host of honorable mentions. Honestly, I could’ve tripled the amount of honorable mentions and still had … Continue reading
In what has become an annual tradition, it’s time to take a look at K-pop’s biggest agencies and offer my 2018 verdict. After yesterday’s focus on SM Entertainment, it’s time to move onto YG Entertainment. As usual, the thoughts are my own and aren’t privy to any insider information. I’m not taking into account things … Continue reading
I first remember hearing BLACKPINK’s Jennie all the way back in 2013, where she guested on a trio of tracks by YG solo acts. It was clear even then that she was being prepped for whatever the agency’s next girl group would be, but her vocals seemed poised for solo work as well. Five years … Continue reading
After what seems like a decades-long wait, BLACKPINK has returned with new material. This long hiatus approach has been a staple of YG Entertainment for years, and becomes especially problematic for the agency’s newer generation of artists. In BLACKPINK’s case, every title track they’ve released has gone straight to the top of the charts, but … Continue reading
Watching (and obsessing over) Avengers: Infinity War last week has got me thinking. If I wielded the Infinity Gauntlet and had the power to shape the universe, how would I control K-Pop? Infinite comebacks every month! New Sweetune songs every week! Just kidding. I’m not going to be that biased. Instead, I thought it would … Continue reading
The end of the year countdowns are here! We’re kicking things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs must have had … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2017 Overall Thoughts Of the 18 months I’ve been running this site, June was the strangest … Continue reading
Much has been made about BLACKPINK essentially being a replacement group for the now-disbanded 2NE1. And I get it. There are four of them, they’re part of YG Entertainment, and they work with the same producers that crafted 2NE1’s sound. In the case of new single As If It’s Your Last (마지막처럼), we’re likely dealing … Continue reading
Getting super meta for a moment, I thought it would be fun to cap off the year with a look at which ten articles were the most read on this site in 2016. In its own way, it’s a completely unscientific gauge of which artists were most popular with English-speaking k-pop fans this year. I’m … Continue reading
In k-pop, music videos are nearly as important as the songs themselves. It’s become such a visual genre, regularly churning out glossy videos that look much more expensive than they are. Without focusing too much on the actual song (though it’s impossible to fully separate the two), here were the top ten visual moments of … Continue reading
One of the things I look most forward to each year in k-pop is the rise of new rookie groups. 2016 was particularly kind when it came to promising new artists, with a few offering some of the best songs of the year. Unlike the MAMA Awards, I won’t be considering the massively successful I.O.I as … Continue reading
The end of the year countdowns are here! We’re starting things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. Unlike last year, j-pop releases will be placed in their own countdown, … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
The Bias List // K-Pop Reviews & Discussion 