K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2021 Overall Thoughts When it comes to new music, I often mention the “expectations game.” … Continue reading
Brave Girls’ 2021 resurgence has been a perfect storm. Not only did it kick off because of one of their best singles, but this viral attention has led to a new era of music that surpasses their already-strong back catalog. June’s Chi Mat Ba Ram quickly grew into a bonafide song of summer, coupled with … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2021 Overall Thoughts Well, July was… interesting. And by “interesting,” I mean unimaginably dull. Other … Continue reading
In a barren July, it seems that a glorified Pepsi ad will have to suffice when it comes to big-name K-pop comebacks. This Pepsi x Starship collaboration project has been going on for years now, resulting in eight singles. Most of these have been collaborations between two or more artists, but Summer Taste ups the … Continue reading
A review is just a snapshot in time, and sometimes I end up regretting the way I rated a song. There are so many factors that influence the longevity of K-pop. Familiarity, album context, live performances and cultural saturation can all boost or sink a song’s fortune. I run this feature during the mid-point of … Continue reading
Following on the heels of yesterday’s ‘top 2021 singles,’ it’s time to turn our attention to K-pop’s full and mini albums. As with title tracks, 2021 has delivered a strong series of albums so far. My lists are a little longer than normal, but the criteria remains the same. To be considered an “album,” the … Continue reading
What a difference a year makes! This time in 2020, I struggled to cobble together a mid-year list worth celebrating. I ended up finding five songs, though one wasn’t technically a single. This year, I’ve got a whopping fourteen tracks! That’s quite a turnaround, and a testament to 2021’s strength. Because of this, I’ve scrapped … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2021 Overall Thoughts So far, the rule of 2021 seems to be “expect the unexpected.” … Continue reading
**This post has been updated with the official music video now that the song is being promoted as a follow-up single!** After a drought of strong K-pop albums, this week has delivered a host of great b-sides. As much as I love a knockout comeback track, an equally-great album makes the whole experience so much … Continue reading
After the massive success of Rollin, Brave Brothers had a singular goal for Brave Girls: make them the new Queens of K-Pop Summer. And honestly, it’s about time! Ever since Sistar left the throne vacant, no group has made a convincing bid to take the crown. Yes, there have been individual tracks that dominated the … Continue reading
Despite their huge boost in popularity, I haven’t yet had an excuse to write about Brave Girls this year. To put it briefly, I’m thrilled for the girls. Rollin’ was a total jam back in 2017, and more than deserves its delayed recognition. It just goes to show how many amazing K-pop songs fly under … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2020 Overall Thoughts At the beginning of the year, one of my wishes for 2020 … Continue reading
Brave Girls appear once in a blue moon, descending upon the K-pop industry like an immortal, unending force. Much to our delight, they deliver a little pop truffle before disappearing once more — a mythical entity that may not return until years later. This fiction vastly overstates their impact on the K-pop market, but I’m … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! February … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2017 Overall Thoughts Oh, March. It’s such a long month, yet gives us so little when it … Continue reading
For better or worse, Brave Girls have always been a delivery method for songs by their agency head, Brave Brothers. This obviously limits their sound somewhat, but for fans of the Brave Brothers style, they’re pretty much the gift that just keeps on giving. And now that bigger groups like AOA and Sistar have (mostly) … Continue reading
Just over a month after their excellent High Heels comeback, Brave Girls has surprised us with Yoo Hoo (유후 (우린 아직 여름)), a very summery track released just as we’re moving closer to fall. It’s odd timing, and relegates Yoo Hoo to feeling like a bit of an afterthought. Part of that is due to … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
One of my biggest annoyances of the past year or so in k-pop has been the lessening influence of classic producers like Brave Brothers, Sweetune, Thomas Troelsen and Yoo Young-Jin. Yes, we have newly popular talent in the form of Black Eyed Pilseung, LDN Noise and the Iggy/Youngbae duo, but my love of k-pop was fostered … Continue reading
The Bias List // K-Pop Reviews & Discussion 