There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” features, I can average their ratings into one mega-score and place them in a pantheon alongside other acts.
As always, this feature has some rules of its own. I’m including any “Song Review” ratings as part of this graph, including Japanese releases and collaborations with one other artist. I’m not including Buried Treasures or solo/sub-unit releases. For the ratings themselves, I’m using the most current number on this blog, so if a song was part of a “Risers and Fallers” or “Legendary Songs Inauguration” post, that’s the rating you’ll see displayed here. That means there will still be a few ratings here and there I find slightly inaccurate, but it’ll mostly reflect my up-to-date feelings.
Finally, these scores are completely subjective. Feel free to agree, disagree and argue (that’s part of the fun!), but know that this chart reflects the opinion of only one person (me).
Check out BRAVE GIRLS’s placement on the ULTIMATE ARTIST RANKING page!
BRAVE GIRLS: A Career In Song Ratings

The Breakdown
Highest Rated Songs
Rollin’, Chi Mat Ba Ram, After We Ride
Lowest Rated Songs
Imperial Phases
Nowadays, You -> We Ride (2012-2020)
Chi Mat Ba Ram -> Thank You (2021-2022)
Slump Phases
None
Rating Average: 8.18
Overall Trendline:

i still listen to After awe Ride every summer. It’s such a perfect song. 😭
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*After We Ride
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it’s so strange to think that Brave Girls had to go through a reformation (I’m not talking about BBGirls) and ten years just to release After We Ride and Chi Mat Ba Ram, which are the peak of their careers
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I feel like “We Ride” never gets the appreciation that it should. For me, it’s the greatest K-pop city pop song there is, and therefore, a total 10.
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