Rightly or wrongly, I’ve always regarded mixtapes as stream-of-conscious endeavors, dedicated to offering a glimpse at an artist’s persona rather than delivering what we might think of as a traditional hit. Even if an individual song is given a music video, it still doesn’t necessarily feel like a “real” single. But if anyone is going … Continue reading
More often than not the KBS Gayo feels like the most intimate of the three end-of-year festivals, held in a theater rather than a stadium. This has its pluses and minuses, but the idea to structure this year’s special more like a traditional concert was an interesting choice. It was one made out of necessity, … Continue reading
Given the tragic passing of SHINee’s Jonghyun last week, this year’s annual Gayos carry an undeniable cloud of sadness around them. I’m actually surprised that SM artists have decided to perform at all, but I suppose the distraction might be needed. This year’s SBS Gayo Daejun had the theme of “Number 1” (as hosts … Continue reading
As important as any other k-pop ingredient, 2017’s choreography deserves spotlight. From catchy point dances to complex formations, this year had plenty of striking performances to offer. Here are the very best: + Make sure to check out the rest of the year-end countdowns here! 10. BTS – NOT TODAY The army of back-up dancers … Continue reading
K-pop is a highly visual medium, and although my song reviews try not to focus on the accompanying music videos, I certainly have my opinions! Here are my top ten visual moments of 2017, along with quite a few incredible honorable mentions. + Make sure to check out the rest of the year-end countdowns here! … Continue reading
Hundreds (if not thousands) of songs are released each year in Korea, but only a fraction receive full title track promotion. This leaves behind many buried treasures in need of a spotlight. Here are forty of 2017’s best: + Make sure to check out the rest of the year-end countdowns here! 40. TWICE – 24/7 A … Continue reading
Artist of the year countdowns are controversial by nature, and if I was re-creating this list based solely on commercial success and impact on the k-pop industry, it would look very different. But there are enough of those countdowns floating around (and the consensus is usually pretty even across-the-board). This is a countdown for the … Continue reading
The end of the year countdowns are here! We’re kicking things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs must have had … Continue reading
The end of the year countdowns are here! We’re kicking things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs must have had … Continue reading
Less than a week after their historic performance on the American Music Awards, BTS have returned with a remixed version of their album track MIC Drop, courtesy of U.S. DJ/producer Steve Aoki. For the past year or so, I feel like I’ve been in the minority when it comes to the group’s incredible worldwide success. … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2017 Overall Thoughts September is oftentimes underwhelming, since it marks the point in the year where … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. As expected, BTS’s new album and title track have smashed … Continue reading
With each new comeback, the hype behind BTS only grows stronger. I still envision them as the ragtag bunch of hip-hop rookies they were back in 2013, but their music has now reached a point that has transcended the label of “k-pop,” placing BTS among the ranks of globally popular artists. As such, they’re in … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. DEVINE CHANNEL … Continue reading
The first rule of a successful cover version is to do no harm. Most songs worth covering are loved for a reason, and a certain respect for the original should be given when looking to make it a part of your own discography. Beyond that, an artist should make their interpretation count. There’s no sense … Continue reading
Of all current k-pop acts, none feels more closely tied to America than BTS. This is kind of ironic, since many groups nowadays count American members among their ranks. In contrast, all seven members of BTS hail from Korea, and only their leader Rap Monster speaks fluent English. Nonetheless, their music speaks to international audiences in … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2017 Overall Thoughts If I could describe February with only one word, it would be “consistent.” … Continue reading
Ever since 2015’s I Need U and Dope, BTS have been successfully dominating their release cycles with a juxtaposition of more melodic material with harder-edged blasts of hip-hop dance. That approach continues with their newest repackage album. Last week we had the emotional, rock-infused balladry of Spring Day before Not Today rumbles in to slam listeners with its … Continue reading
Over the past few years, BTS have been churning out showstopping singles with an almost inhuman regularity, rightfully earning their place as k-pop’s biggest international breakthrough. New single Spring Day (봄날) comes only three months after their superb Blood, Sweat and Tears, and represents a shift in sound well-suited to these cold winter months. Releasing a big, sweeping … Continue reading
Getting super meta for a moment, I thought it would be fun to cap off the year with a look at which ten articles were the most read on this site in 2016. In its own way, it’s a completely unscientific gauge of which artists were most popular with English-speaking k-pop fans this year. I’m … Continue reading
The Bias List // K-Pop Reviews & Discussion 