We’re slowly moving out of BTS’s enlistment era and into their post-enlistment work as members return from the military with solo projects. First up was Jin late last year and now J-Hope is here with Sweet Dreams, a collaboration with soulful crooner Miguel. This follows a guest stint on Don Toliver’s LV Bag last month … Continue reading
How’s that for a very Bias List specific title of a post? The thing is, after a very long drought, we’re on the verge of our first Sweetune-produced title track in many, many months with the release of BBGirls’ new single on the 15th!! Before that, I’ve got a bit of an unusual playlist for … Continue reading
This is always one of the countdowns I feel least confident about because I tend to listen to K-pop more often than I watch it. It’s also a very subjective category, as my visual/storytelling/conceptual preferences may not match others’. The truth is, K-pop has become so adept at crafting fantastic music videos that I could … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2024 Overall Thoughts Well… how are we all doing? Given the news of the past … Continue reading
Modern entries to the winter holiday canon can be tricky since this type of song thrives on built-up nostalgia. Most listeners have a handful of tracks they go back to each year until they become ritual. It’s less common for fans to go out of their way to discover new holiday classics, but when BTS’s … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
When the credits for Jin’s new album were unveiled, my eyes immediately fell upon one name: Gary Barlow. I would have never expected to see the British Take That member’s credit on a K-pop release. Barlow has written a fair amount of fantastic music, but his taste also tends to be a bit milquetoast. Of … Continue reading
BTS’s Jin marks a big milestone by being the first member to return from the military and release music. And, I’m not talking about his Super Tuna from a few weeks ago! He’s ready to unveil an entire album, led by pre-release I’ll Be There. And with names like Gary Barlow and Arcades on the … Continue reading
I’m not deep enough into the BTS fandom to know this song existed prior to today, and I’m not even sure it warrants a review given its irreverence. However, new BTS releases are few and far between these days, and this is technically Jin’s first (though not new) song since being discharged from the military. … Continue reading
Many readers have been asking for it, and I’m finally ready to unveil this year’s Bias List Legendary Songs Inauguration Ceremony! A total of forty-nine songs have already been inaugurated as part of this feature, including a few J-pop highlights. As a rule, this ceremony only covers material released since The Bias List‘s inception (Jan … Continue reading
BTS members’ enlistment-era comebacks have been so meticulously planned that they even incorporate pre-release singles and music videos. Jimin returned late last month with the quirky Smeraldo Garden Marching Band, a song that sounded nothing like he’d ever recorded before. In contrast, title track Who sees him take on a more conventional dance pop role. … Continue reading
The parade of post-enlistment BTS solo projects continues with a pre-release from Jimin, leading up to a full album in July. I had to look up what a “smeraldo” is (it’s a type of flower), but apart from that brief confusion the title “Smeraldo Garden Marching Band” instantly reminded me of The Beatles’ Sgt. Pepper’s … Continue reading
I don’t really take music videos or imagery into account when writing reviews on The Bias List, but when all is said and done I’ll likely remember this era of RM’s career more for the videos than the music. The one for new single LOST! is particularly evocative — quirky, surreal and suitably claustrophobic. Whether … Continue reading
Just weeks after V released his own post-enlistment single, bandmate J-Hope is back with a full-on hiatus era album. Not only that, but his Hope On The Street is billed as a “volume one,” meaning we likely have much more coming. For the album’s single Neuron, he’s enlisted (pun totally intended) some of K-hip-hop’s big … Continue reading
It’s taken awhile, but artists and agencies have figured out how to keep momentum going as idols make their mandatory military enlistment. It used to be unheard of to deliver “new” content during these extended hiatuses, but now it’s become commonplace to record music and even videos for future release during enlistment. ONF managed to … Continue reading
Every year at this time, I like to look back at which of my posts received the most views. If nothing else, it’s a good gauge of artist popularity. I know there are readers who take a look at everything I post, but there are also a lot of people who come to the blog … Continue reading
Now that I’ve finished all my K-pop related countdowns of the year (yay!), I liked to take a macro view and determine which specific comeback or debut was my overall strongest of the year. There are always some personal surprises here, but the numbers don’t lie. As before, I took five categories and gave them … Continue reading
To be honest, this year I tended to watch most K-pop music videos one or two times before moving onto the song and leaving the visuals behind. The water mark for music videos has become very high, with the industry churning out cinematic, big-budget works every other day. While many videos could comfortably slot into … Continue reading
2023 was a weird year for K-pop choreography. There didn’t seem to be too many iconic point moves, even as TikTok challenges continue to necessitate catchy, easy-to-replicate routines. As usual, this is not a ranking of the most technically impressive performances of the year. Instead, here are ten routines that caught my eye in 2023. … Continue reading
The Bias List // K-Pop Reviews & Discussion 