We’re knee-deep in wintery releases this month, and SM Entertainment has always been a huge fan of the snow-draped ballad or festive midtempo. WayV are the latest to deliver a winter-themed album, though title track Eternal White (白色定格) is malleable enough to play all year. Rather than throw sleighbells at the song, Eternal White is … Continue reading
SM Entertainment has been on a roll lately with their boy group albums, though they’ve also struggled to pick the best songs to promote as title tracks. I’m hoping that might be the case with WayV as well, especially since their albums tend to hold many buried treasures. New title Big Bands is bolstered by … Continue reading
Last month, China partially lifted its nine-year ban on Korean content, including K-pop concerts and releases. This news didn’t receive nearly as much attention as it should have, especially considering the massive effect it may have on the industry. Given this year’s global affairs, I wouldn’t be at all surprised if K-pop agencies pulled resources … Continue reading
It’s a slow day (week? year??) in K-pop, so I’m going to sidestep over to the Chinese market for a moment with the debut solo single from NCT Dream’s Chenle. The song is part of a “special EP,” and given the way Chinese music is usually promoted I assume this album will be released in … Continue reading
I combed through the Bias List archives and was surprised to find that it’s been over three years since I’ve written about new music from Seventeen’s The8. He’s released a couple of songs since then, but new single Orbit (轨道) bolsters his first EP. With Seventeen enjoying a mega-successful year, this release feels like icing … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
To round out my mid-year countdowns, I’ve got a spotlight on some of my favorite songs and albums from music markets that aren’t Korea or Japan. To simplify things, I just call this category “pop.” What were your favorite singles and albums during the first half of 2024? TOP SINGLES Bentley Robles – IAM IAM … Continue reading
WayV returned last year with a solid album and an interesting title track. Now that summer fast approaches, their newest comeback promises something brighter and groovier. Given that one of my favorite WayV b-sides is 2020’s buoyant Electric Hearts, this is definitely welcome news. And with the NCT universe not as dominant as it used … Continue reading
WayV’s first full album released all the way back in 2020, leaving fans with infrequent comebacks prior to their new full-length On My Youth. The guys have remained busy appearing on NCT albums and performing at this year’s KCON LA. But now, they’re back with a track that blends old and new to great success. … Continue reading
There will be no summer barbeques or afternoons at the beach for Jun’s Psycho. This song spends its time in a windowless room, chains and restraints attached to the walls. Summer fare this is not. Jun has recorded solo material before, most recently with last year’s Limbo. Psycho follows a similar vibe, though it’s more … Continue reading
WayV have often released the strongest music within the NCT universe, including standout singles like Turn Back Time, Take Off and Moonwalk. But, we haven’t had a proper WayV comeback in nearly two years. During that time, members have released solos and sub-units alongside their participation in larger NCT projects. New single Phantom picks up … Continue reading
Seemingly out of nowhere, WayV’s Kun and Xiaojun announced the release of their first single album. Both are designated as main vocals within the group, yet don’t always have the opportunity to shine as part of WayV’s hip-hop heavy sound. Unsurprisingly, Back To You (这时烟火) is a ballad, stripped to its bare bones to offer … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2021 Overall Thoughts I’ve heard whispers around social media lamenting that 2021 has been a … Continue reading
NCT’s WayV have arguably been the most consistent unit over the past few years, and for my money they released the best NCT-related material in 2020. Of course, this only sets expectations high, giving new single Kick Back (秘境) plenty to live up to. And while I don’t think the song is as strong as … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2020 Overall Thoughts It always feels like a bit of a comedown posting one of … Continue reading
Well… 2020 was certainly different, wasn’t it? It was a year where the industry couldn’t function as usual, but that didn’t stop K-pop from churning out more music than ever. It was a year of unprecedented international success and rising album sales — just as most other music markets struggled to move physical product. It … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2020 Overall Thoughts November was absolutely packed with releases, and though only one title track … Continue reading
Remember WARPs? They came out of nowhere last December with the brilliant Rock Tonight, which ended up being one of my favorite J-pop tracks of 2019. Then, they seemed to disappear off the face of the earth. This isn’t too surprising, as I’m sure the COVID pandemic played a part in derailing whatever plans they … Continue reading
Longtime readers of The Bias List will know how stingy I am when it comes to rating songs nine and above. But, there’s plenty of music that qualifies. In fact, I’ve got a playlist of over 600 of them sitting in my iTunes. The vast majority of these are singles or title tracks, but there … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2020 Overall Thoughts For the first time in months, I feel pretty good about where … Continue reading
The Bias List // K-Pop Reviews & Discussion 