Block B‘s Zico has become one of Korea’s most prolific hit-makers, routinely releasing hip-hop tracks of various styles to massive success. His newest single is a collaboration with fellow “it” boys Crush and DEAN. By name recognition alone, the trio is a real supergroup, representing three of the biggest names in this particular k-pop sub-genre. … Continue reading
Usually, as an artist gains prominence and becomes more mainstream, their music follows suit. But with Crush, it feels like his output has become more idiosyncratic since his days as a relatively straightforward r&b artist. Though last May’s Woo Ah wasn’t quite to my taste, I could definitely appreciate its languid style. Fall (어떻게 지내) … Continue reading
On Crush’s first album, there’s a collaboration with Zion. T called Hey Baby. I’ve wanted to love the rest of Crush’s music ever since I first heard this song. Hey Baby offered a pitch-perfect recreation of the early 90’s New Jack Swing sound, filtered through the lens of Michael Jackson era performance style. It’s a … Continue reading
Crush is one of those artists that I desperately want to adore. He seems like such a pleasant person, and even though it’s not my preferred genre, I can appreciate the vibey, slow-jam r&b he produces. But with almost every song he’s released, I end up having the same response, which basically amounts to: “that … Continue reading
R&B singer Dean (often stylized DΞΔN) is the new kid of the block who seems poised to gain a lot of traction this year. He’s written great tracks for EXO and Vixx, among others, and has been steadily collaborating with other artists over the past year or so. But, when it comes to his solo … Continue reading
Amoeba Culture is really a label on the rise. Fueled by the incredible success of Zion.T, they’ve cultivated a stable of artists that are at the forefront of Korean r&b. While not having the same unique character to his vocals as Zion.T, Crush has already proven himself a hitmaker despite being a relatively fresh debut. … Continue reading
