As part of my “Summer of K-pop” feature, I recently wrote about Eric Nam’s 2014 single Ooh Ooh. In doing so, I was reminded how effectively that song harnessed his charms. He has a pleasant pop voice and amiable presence, well-suited to light, funky dance tracks. New single Paradise takes him down a more well-worn … Continue reading
There are few things I enjoy more than a great summertime song. They’re bright, they’re exciting, and they remind me of my favorite time of the year. There’s no telling what this summer in K-pop will bring, but over the next few weeks I’ll be flashing back each day, showcasing a highlight from past summers. … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Each time I write about an Eric Nam track, the first word that comes to my mind is “amiable.” It’s the perfect descriptor for his crisp pop sound. His music is inherently enjoyable — sometimes smooth, sometimes jubilant, but never demanding. It’s the K-pop equivalent of easy listening, and that doesn’t have to be a … Continue reading
The last we heard from Eric Nam, he was trying on the tropical instrumental drop structure that K-pop has fallen so in love with these past few years. Honestly was a pleasant trifle of a pop song, but quickly forgotten. “Innocuous” is the name of the game when it comes to many of Nam’s songs, … Continue reading
In a k-pop landscape that’s becoming more international by the year, Eric Nam finds himself in an enviable position. As a U.S. born entertainer, he has the language and cultural chops to act as a bridge between the Korean and American entertainment industries. Because of this, his music often feels like a hybrid of sounds … Continue reading
To be honest, the combination of Eric Nam and “winter ballad” doesn’t exactly pique my interest. Nam is one of k-pop’s most amiable personalities, and I’ve often argued that he’s at his best when he’s harnessing that charm to deliver light uptempo pop. Ballads are already at risk of becoming overly sentimental, and coupled with … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. MONOTREE Years … Continue reading
Other than the inherent awkwardness that comes with pairing underage Somi with 28-year-old Eric Nam for a love song, You, Who (유후) makes total sense on paper. Both artists are known for their amiable personalities. Both have international roots and enormous fan bases. And while neither is what you would call a powerhouse vocalist, both … Continue reading
I very rarely write about songs performed in English, but this being a super slow week in k-pop releases means that Gallant’s new song gets a mention. Of course, with Eric Nam and Tablo taking over two thirds of the track, Cave Me In is about as Korean as a Western pop song could be. … Continue reading
It was a night of emotional acceptance speeches, expensive set pieces and, of course, a little behind-the-scenes drama as well. The MAMA Awards are always an exciting, larger than life capper on the year of k-pop, and this year’s broadcast was strong in a number of ways. But as with all award shows dedicated to … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
It’s that time of year again! 2016 marked my second KCON, with a super solid line-up of performers that caused the concert side of things to sell out, and skyrocketed attendance for the convention. The past three days were a series of definite highs and lows, so read on to hear my thoughts. Convention Let’s … Continue reading
Back in March, I suggested that Eric Nam move back to an uptempo pop track for his next comeback, and somebody must have been listening because Can’t Help Myself is his brightest, most exciting single since 2014. Buoyed by the fame his personality has helped foster, Nam finally gives us the aural equivalent to the … Continue reading
It feels like Eric Nam has become the unofficial entertainment ambassador between Korean artists and the western world. He’s one of those personalities that’s impossible to dislike and seems to be friends with everyone, which makes him the ideal host for shows like After School Club. But the problem with playing Mr. Nice Guy is … Continue reading
With each song released through SM’s Music Station, it’s becoming more apparent that the platform is tailored to solo or duet ballads. This makes sense, as the songs aren’t promoted through performances or appearances, and it would be counter-intuitive to waste a full-fledged concept or choreography on something that is essentially a bonus treat for fans. … Continue reading
The Bias List // K-Pop Reviews & Discussion 