At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2020 Overall Thoughts Back in late winter, my reviews were often besieged with comments stating … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Everglow’s La Di Da has been quite a revelation, and comes … Continue reading
The 80’s electro K-pop trend is in full swing, and long may it reign! Up to this point, I’ve enjoyed most Everglow singles, but never found one that really struck a chord with me. February’s Dun Dun offered a glimpse of potential, showcasing a refreshing fierceness. But, new single La Di Da blows that wide … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2020 Overall Thoughts What to say about February 2020? As the month went on, it … Continue reading
Everglow quickly emerged as one of last year’s most popular rookie groups, harnessing a BLACKPINK-like style that opts for edgy beat drops over chirpy aegyo. While I appreciate the concept, neither of their 2019 singles connected with me as strongly as I would’ve liked. Both felt more like catchphrases in search of a song than … Continue reading
2019 was a huge year for rookie groups. In fact, I’d say that the year was almost driven by them. So many agencies unveiled new acts, offering a needed jolt to the industry. This makes for a highly competitive countdown, with lots of treasures to discover. Like usual, this list comes with some caveats. When … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. To be completely honest, I’m not a huge fan of the … Continue reading
In a year flush with debuts, Everglow’s Bon Bon Chocolat stood out thanks to its edgy sound. I wasn’t as enthralled with the song as others seem to be, but I’m always eager for more girl groups who push against the grain. New single Adios continues this approach, borrowing from BLACKPINK’s repertoire to craft what … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. MELANIE FONTANA … Continue reading
At the rate we’re going, 2019 might just set the record for having the most K-pop debuts. While the year has been relatively underwhelming so far, a rush of new acts has helped to buoy the industry. And with the arrival of Everglow, we’ve got yet another compelling girl group to add to the scene. … Continue reading
The Bias List // K-Pop Reviews & Discussion 