This was not one of the easier lists to compile. FTIsland have dozens of singles to choose from, and I’ve liked almost all of them. But, if I were to rate their discography as a whole, the scores would be pretty even across the board, with a few major peaks standing out from an otherwise … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
Rock group FTIsland are really on a roll this year. First, they released their Japanese N.W.U album with its excellent single You Don’t Know Who I Am, then they came back last week in Korea with one of the strongest singles of their career. Now, they’ve got another hit coming down the pike for an … Continue reading
AOA debuted with an ambitious concept having to do with angels and band-oriented sub-units, but ultimately found success adhering to a tried and true formula. A string of hits with producer Brave Brothers cemented them as a girl group on the rise, even if it meant abandoning some of their more unique trappings. But regardless … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. I completely understand why Good Luck (review) was chosen as … Continue reading
Girl group AOA have quickly risen to the top of the kpop world, due largely to the amazing material producer Brave Brothers has given them. Good Luck marks a turning point, with a shift in both sound and songwriting team. And while the song more or less maintains AOA’s quality musical output, I can’t help but wish for a … Continue reading
I get the sense that CNBLUE’s Cinderella from last year wasn’t all that well-received. But, I appreciated the move towards a more synth/dance driven style and it actually got me more interested in the group than I’d been in quite some time. Nevertheless, You’re So Fine offers a sort of return to form, with its funky, … Continue reading
Like label-mates CNBlue, FTIsland has done a nice job balancing their Korean and Japanese success. Given their status as an idol rock group, their sound has an easily-slotted place within the vast world of j-rock, though the direction of their Japanese material hasn’t always been to my taste. However, I was incredibly impressed with frontman Hongki’s solo … Continue reading
As a sub-unit of girl group AOA, AOA Cream is composed of members Chanmi, Hyejeong and Yuna, none of which have received a huge spotlight in the past. I don’t believe for a second that the trio’s suggestive name was an accident. AOA’s ridden the sexy concept to great success, but they’ve had a series of very … Continue reading
So far, 2016 seems to be the year of the collaborations. This feels like a somewhat odd one, between CNBlue’s frontman Jung Yong-Hwa and Sunwoo Jung Ah, who is primarily known as an in-house songwriter (and occasional singer) with YG Entertainment. I’m not exactly sure what brought these two together, though Yong-Hwa seems to be … Continue reading
Insensible is an awkward name for a song, but I love me a big power rock ballad. Hongki is the lead vocal of Korean rock group FTIsland, and because of this I was expecting a straight-up rock sound from his new solo album. To my surprise (and delight), the album incorporates a lot more dance … Continue reading
The Bias List // K-Pop Reviews & Discussion 